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1. |
Record Nr. |
UNINA9910796928203321 |
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Autore |
Baer James A. |
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Titolo |
Anarchist immigrants in Spain and Argentina / / James A. Baer |
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Pubbl/distr/stampa |
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Urbana, Illinois ; ; Chicago, Illinois ; ; Springfield, Illinois : , : University of Illinois Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (272 p.) |
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Disciplina |
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Soggetti |
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Emigration and immigration |
Anarchists - Spain |
Anarchists - Argentina |
Argentina |
Spain |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preface -- Principal individuals -- List of abbreviations -- Introduction -- Origins of the Spanish anarchist movement in the nineteenth century -- Anarchists and immigration from Spain to Argentina -- Deportations and reverse migration, 1902-1910 -- The CNT and the war years : anarchist rivalries and new leadership -- The FORA and the CNT : transnational anarchist rivalries -- Changing political climates and return migration : Abad de Santillán and the Fai in Spain -- Abad de Santillán and the anarchist revolution in Spain -- Argentine and Spanish anarchists in the Spanish Civil War -- Exile and homecoming -- Appendix a. List of Spanish refugees aboard the Winnipeg -- Appendix b. La protesta : prisoners in or deported from Argentina, 1905-1906. |
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Sommario/riassunto |
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From 1868 through 1939, anarchists' migrations from Spain to Argentina and back again created a transnational ideology and influenced the movement's growth in each country. James A. Baer follows the lives, careers, and travels of Diego Abad de Santillán, Manuel Villar, and other migrating anarchists to highlight the ideological and interpersonal relationships that defined a vital era in anarchist history. Drawing on extensive interviews with Abad de |
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Santillán, Jose Grunfeld, and Jacobo Maguid, along withunusual access to anarchist records and networks, Baer uncovers the ways anarchist migrants in pursuit of jobs and political goals formed a critical nucleus of militants, binding the two countries in an ideological relationship that profoundly affected the history of both. He also considers the impact of reverse migration and discusses political decisions that had a hitherto unknown influence on the course of the Spanish Civil War. Personal in perspective and transnational in scope, Anarchist Immigrants in Spain and Argentina offers an enlightening history of a movement and an era. |
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2. |
Record Nr. |
UNINA9911026070103321 |
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Autore |
Tone-Pah-Hote Jenny |
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Titolo |
Crafting an Indigenous Nation : Kiowa Expressive Culture in the Progressive Era / / Jenny Tone-Pah-Hote |
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Pubbl/distr/stampa |
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Chapel Hill : , : University of North Carolina Press, , [2019] |
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Baltimore, Md. : , : Project MUSE, , 2019 |
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©[2019] |
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ISBN |
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979-88-908513-8-3 |
979-88-908513-9-0 |
1-4696-4368-5 |
1-4696-4367-7 |
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Descrizione fisica |
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1 online resource (163 pages) |
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Collana |
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North Carolina scholarship online |
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Disciplina |
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978.004/97492 |
978.00497492 |
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Soggetti |
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Indian arts - Political aspects |
Indian arts - Social aspects |
Kiowa Indians - Social life and customs - 20th century |
Kiowa Indians - Social life and customs - 19th century |
Kiowa Indians - Ethnic identity |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Also issued in print: 2019. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Beyond feathered war bonnets : Kiowa labor, performance, and the public imaginary, 1870-1934 -- Circulating silver : peyote jewelry, photography, and the making of region -- "We'll show you boys how to dance" : intertribal space, dance, and Kiowa art, 1920-1940 -- We worked and made beautiful things : peoplehood, Kiowa women, and material culture. |
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Sommario/riassunto |
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"In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations."-- |
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