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1. |
Record Nr. |
UNINA9910955954703321 |
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Autore |
Barthelemy Dominique |
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Titolo |
Studies in the Text of the Old Testament : An Introduction to the Hebrew Old Testament Text Project / / by Dominique Barthelemy |
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Pubbl/distr/stampa |
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Winona Lake, Ind. : , : Eisenbrauns, , 2012 |
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©2012 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (721 p.) |
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Collana |
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Textual criticism and the translator ; ; v. 3 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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RELIGION - Judaism - Sacred Writings |
RELIGION - Biblical Studies - Old Testament |
Criticism, interpretation, etc. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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The introduction to v. 1 is translated by Stephen Pisano and Peter Pettit; the introduction to v. 2 is translated by Joan Cook and Sarah Lind; the introduction to v. 3 is translated by Sarah Lind. |
This book contains English-language translations of the introductions by Dominique Barthelemy to volumes 1-3 of Critique Textuelle de L'Ancien Testament. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Chapter 2: The Medieval Manuscripts and the Classical Tiberian TextChapter 3: Proto-, Pre-, and Extra-Masoretic; Section Two: The Contribution of the Versions; Chapter 1: The Ancient Greek Text; Chapter 2: Versions Subsequent to Standardization; Chapter 3: Relationships between the Versions and the Text; Conclusion; Supplement; CTAT Preface; Works Cited; Index of Authors; Index of Scripture; Back Cover. |
Front Cover; Title; Copyright; Contents; Preface; Introduction; Abbreviations; Part One; Chapter 1: The History of Old Testament Textual Criticism from Its Origins to J.D. Michaelis; Chapter 2: The Hebrew Old Testament Text Committee and the Task of Hebrew Textual Criticism; Part Two; Chapter 1: Textual Decisions of the Translations Consulted in CTAT; Chapter 2: Origins of the Corrections; Part Three; Introduction: The Textual Witnesses; Section One: The Different Forms of the Hebrew Text; Chapter 1: The Authority of the |
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Sommario/riassunto |
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Studies in the Text of the Old Testament offers to the English-speaking world the combined introductions to the first three volumes of Dominique Barthélemy’s Critique Textuelle de l’Ancien Testament. CTAT was the culmination of the Hebrew Old Testament Text Project, launched by the United Bible Societies in 1969 and carried out by an international team of Old Testament textual critics under the leadership of Eugene Nida.As Emanuel Tov has stated, these introductions form “an almost complete introduction” to the textual criticism of the Hebrew Bible. They hold an important place in Old Testament textual criticism and can stand alone, apart from the detailed discussions of the textual problems found in the volumes. Part one surveys the history of OT textual criticism “from its origins to J. D. Michaelis” and presents the Hebrew Old Testament Text Project and its goals. Part two describes in detail the background of the modern versions that the HOTTP took into account in its work. Part three, the most extensive section, discusses the textual witnesses—the different forms of the Hebrew text and the contribution of the ancient versions. As his concluding program for a critical edition makes clear, the groundbreaking work of Barthélemy and the HOTTP served as the basis for the new Biblia Hebraica Quinta, which began publication in 2004.UBS undertook the HOTTP to offer Bible translators help in applying the results of textual criticism to their work, but there is no doubt that many others will benefit from this work, as well as the other volumes in the series “Textual Criticism and the Translator.” |
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2. |
Record Nr. |
UNINA9911022453003321 |
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Autore |
Pitt Scott Harry |
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Titolo |
Financial Petroleum Cultures : Narrating Volatile Futures, 1973–2050 / / by Harry Pitt Scott |
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Pubbl/distr/stampa |
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Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
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ISBN |
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Edizione |
[1st ed. 2025.] |
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Descrizione fisica |
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1 online resource (246 pages) |
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Collana |
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Palgrave Studies in Literature, Culture and Economics, , 2946-5400 |
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Disciplina |
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Soggetti |
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Economics and literature |
Economics |
Power resources |
Finance |
Literature Business |
Political Economy of Energy |
Financial Economics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Chapter 1: Introduction -- Chapter 2: Plotting Petrodollars: Oil Crisis and the Conspiracy Novel -- Chapter 3: Architecture of the Offshore: Lloyd’s in Transition -- Chapter 4: Derivative Aesthetics: Representing Volatility -- Chapter 5: Delay: Horrors on the Permafrost -- Chapter 6: Making Light Work: Genres of Solar Finance -- Chapter 7: Transitional Utopias: Financial Representation and Utopian Negation -- Chapter 8: Coda: Energy Futures. |
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Sommario/riassunto |
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“Harry Pitt Scott's incisive analysis of financial petrocultures reveals how the narratives of energy transition are shaped and constrained by the imperatives of finance. This remarkable work reshapes our understanding of energy systems, offering a critique that is as urgent as it is transformative.” Professor Imre Szeman, Director of the Institute for Environment, Conservation, and Sustainability, University of Toronto. “This brilliantly expansive and illuminating book should be essential reading within critical studies of energy, finance and ecology, offering a rigorous aesthetics and history of petrocultures that |
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foregrounds the centrality of financialisation, revealing how energy narratives mediate the fundamental contradiction through which finance both engenders and constrains the possibility for decarbonised futures.” Dr Sharae Deckard, Associate Professor in World Literature, University College Dublin “A magnificent contribution to the field of the energy humanities. Pitt Scott's ground-breaking study of the relationship between petroculture, finance, and aesthetics represents a major critical intervention into how we think, frame, and narrate energy futures.” Dr Michael Niblett, Associate Professor in Modern World Literature, University of Warwick “This innovative, rigorous and compelling study makes clear why we can’t think about oil without thinking about finance. Essential reading for anyone interested in understanding the petrocultural legacies of the last fifty years – and their implications for the future.” Dr Peter Adkins, Lecturer in Modernist Literature, University of Edinburgh Financial Petroleum Cultures draws upon literature, film, architecture, photography, infrastructure, advertisements, and financial reports to explore how financial narratives shape the future of energy and climate. Arguing that financial representations dominate contemporary petroleum cultures, it focuses on the competing narratives, celebratory and critical, determining how energy is perceived, imagined, and used. Encompassing critiques of ideology and infrastructure, this book offers a new understanding of the political visions enabled and constrained by the financial sector in an increasingly volatile world. Harry Pitt Scott is a Leverhulme and Lord Kelvin Adam Smith Early Career Research Fellow in the School of Critical Studies at the University of Glasgow, UK. |
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