1.

Record Nr.

UNINA9911018744703321

Autore

Chen Wangheng

Titolo

Study of Prehistoric Aesthetic Consciousness of the Chinese Nation : “Civilization” Before Civilization / / by Wangheng Chen

Pubbl/distr/stampa

Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2025

ISBN

9789819656820

Edizione

[1st ed. 2025.]

Descrizione fisica

1 online resource (363 pages)

Altri autori (Persone)

ZhangGuoqing

ChenYiping

Disciplina

111.85

Soggetti

Aesthetics

Philosophy, Chinese

Ethnology - Asia

Culture

Chinese Philosophy

Asian Culture

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

The Aesthetic Consciousness Reflected in Prehistoric Stone Tools -- Aesthetic Consciousness Reflected in Prehistoric Pottery (I).Prehistoric Aesthetic Consciousness Reflected in Pottery (II) -- Prehistoric Aesthetic Consciousness Reflected in Pottery (III) -- Aesthetic Consciousness Reflected in Prehistoric Jadeware (I) -- Prehistoric Aesthetic Consciousness Reflected in Jadeware (II) -- Prehistoric Aesthetic Consciousness Reflected in Arts -- Prehistoric Religions and Primitive Aesthetics -- Exemplification of Prehistoric Aesthetic Consciousness -- Prehistoric Aesthetics and Chinese Civilization.

Sommario/riassunto

This book explores how prehistoric aesthetic consciousness of the Chinese nation evolved from animality and barbarism, how it was epitomized in prehistoric artifacts, and most importantly, how this aesthetic consciousness has exerted an ever-lasting influence upon the Chinese mind and culture, by examining prehistoric archaeological discoveries, particularly pottery objects, jade ware, and rock paintings from prehistoric cultures, and by studying ancient Chinese historical and literary documents. This is the first academic effort to trace the



very beginning of the aesthetic consciousness of the Chinese nation back to prehistoric times. Its strength lies in the comprehensive and detailed examination of all the major prehistoric cultures and artifacts as well as in its insights into the relationship between prehistoric consciousness and the Chinese mind and culture. This book benefits graduate students and researchers who are interested in Chinese prehistoric culture and Chinese history of aesthetics.