1.

Record Nr.

UNINA9911009390503321

Autore

Pearl Sharrona

Titolo

Face/On : Face Transplants and the Ethics of the Other / / Sharrona Pearl

Pubbl/distr/stampa

Chicago : , : University of Chicago Press, , [2017]

©2017

ISBN

9780226461366

022646136X

Descrizione fisica

1 online resource (246 pages) : illustrations (some color)

Disciplina

617.5/20592

Soggetti

Face - Surgery

Transplantation of organs, tissues, etc - Social aspects

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Previously issued in print: 2017.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- 1. Introduction: Effacing -- 2. Mind/Medicine -- 3. Losing Face on Film -- 4. Decoding the Face- Transplant Debates -- 5. A Very Special Makeover: Face Transplants on Television -- 6. Conclusion: Face Transplants and the Ethics of the Other -- Acknowledgments -- Appendix: Face Transplant Recipients -- Notes -- Bibliography -- Index

Sommario/riassunto

Are our identities attached to our faces? If so, what happens when the face connected to the self is gone forever-or replaced? In Face/On, Sharrona Pearl investigates the stakes for changing the face-and the changing stakes for the face-in both contemporary society and the sciences.   The first comprehensive cultural study of face transplant surgery, Face/On reveals our true relationships to faces and facelessness, explains the significance we place on facial manipulation, and decodes how we understand loss, reconstruction, and transplantation of the face. To achieve this, Pearl draws on a vast array of sources: bioethical and medical reports, newspaper and television coverage, performances by pop culture icons, hospital records, personal interviews, films, and military files. She argues that we are on the cusp of a new ethics, in an opportune moment for reframing essentialist ideas about appearance in favor of a more expansive form



of interpersonal interaction. Accessibly written and respectfully illustrated, Face/On offers a new perspective on face transplant surgery as a way to consider the self and its representation as constantly present and evolving. Highly interdisciplinary, this study will appeal to anyone wishing to know more about critical interventions into recent medicine, makeover culture, and the beauty industry.