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1. |
Record Nr. |
UNINA990005803690403321 |
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Titolo |
Annales Altahenses Maiores / ex recensione W. De Giesebrecht et Edmundi L.B. ab Oefele |
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Pubbl/distr/stampa |
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Hannoverae, : impensis Bibliopolii Hahniani, 1891 |
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Edizione |
[Editio altera] |
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Descrizione fisica |
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Collana |
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Monumenta Germaniae Historica. Scriptores rerun germanicarum in usum scholarum separatim editi ; 4 |
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Disciplina |
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Locazione |
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Collocazione |
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943.02 M.G.H. SCRIPTORES US 04 |
943.02 M.G.H. SCRIPTORES US 04 bis |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910806153003321 |
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Autore |
Lacoue-Labarthe Philippe |
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Titolo |
Ending and unending agony : on maurice blanchot / / Philippe Lacoue-Labarthe ; translated by Hannes Opelz |
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Pubbl/distr/stampa |
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New York, [New York] : , : Fordham University Press, , 2015 |
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©2015 |
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ISBN |
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0-8232-6680-X |
0-8232-6461-0 |
0-8232-6460-2 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (192 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Translator’s Note -- Introduction -- Prologue -- I. “The Secret Miracle” (20 July?) -- II. Ending and Unending Agony (22 September?) -- Notes -- Bibliographical Note -- Index of Names -- Sara Guyer and Brian McGrath, series editors |
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Sommario/riassunto |
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Published posthumously, Ending and Unending Agony is Philippe Lacoue-Labarthe’s only book entirely devoted to the French writer and essayist Maurice Blanchot (1907–2003). The place of Blanchot in Lacoue-Labarthe’s thought was both discreet and profound, involving difficult, agonizing questions about the status of literature, with vast political and ethical stakes. Together with Plato, Holderlin, Nietzsche, Benjamin, and Heidegger, Blanchot represents a decisive crossroads for Lacoue-Labarthe’s central concerns. In this book, they converge on the question of literature, and in particular of literature as the question of myth—in this instance, the myth of the writer born of the autobiographical experience of death. However, the issues at stake in this encounter are not merely autobiographical; they entail a relentless struggle with processes of figuration and mythicization inherited from the age-old concept of mimesis that permeates Western literature and culture. As this volume demonstrates, the originality of Blanchot’s thought lies in its problematic but obstinate deconstruction of precisely |
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such processes.In addition to offering unique, challenging readings of Blanchot’s writings, setting them among those of Montaigne, Rousseau, Freud, Winnicott, Artaud, Bataille, Lacan, Malraux, Leclaire, Derrida, and others, this book offers fresh insights into two crucial twentieth-century thinkers and a new perspective on contemporary debates in European thought, criticism, and aesthetics. |
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3. |
Record Nr. |
UNINA9911009246803321 |
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Autore |
Chytry Josef |
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Titolo |
The Aesthetic State : A Quest in Modern German Thought |
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Pubbl/distr/stampa |
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Berkeley : , : University of California Press, , 2018 |
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©2024 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (593 pages) |
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Classificazione |
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Disciplina |
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Soggetti |
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Aesthetics, German - 18th century |
HISTORY / Europe / Germany |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Preface -- Abbreviations -- Overture -- I. Classicism -- 1. Winckelmann: The Myth of Aesthetic Hellas -- 2. Wieland, Herder, Goethe: Weimar Aesthetic Humanism -- 3. Schiller: The Theory of the Aesthetic State -- II. Idealism -- 4. The Early Hölderlin, Hegel, and Schelling: Dialectics, Revolution, and the "Theocracy of the Beautiful -- 5. Hölderlin: Dialectic of Tragedy -- 6. Hegel: The Aufhebung of the Aesthetic State -- III. Realism -- 7. Marx: Communism and the Laws of Beauty -- 8. Wagner: The Communal Artwork -- 9. Nietzsche: Aesthetic Morals -- IV. Postrealism -- 10. Heidegger: Ontological Anarchy -- 11. Marcuse: Aesthetic Ethos -- 12. Spies: Theatre State -- Coda: Eutopia -- Index. |
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Sommario/riassunto |
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Shortly after the middle of the eighteenth century a number of thinkers from the German-speaking lands began to create a paradigm drawn |
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from their impressions of a distant historical reality, ancient Athens; added to it a new mode of thought, modern dialectics; and at times even paid homage to the ancient Greek deity Dionysos, to materialize their longing for an ideal. The influence of these forces came to permeate modern German consciousness, deifying the concept and activity of art, reviving the Platonic (and Sanskrit) vision of the cosmos as play and aesthetic creation, and projecting a way of life and labor that would honor not the commodity but the aesthetic product. With rigorous commitment to primary sources and an unflagging critical engagement with the ideas and concrete situations they raise, Josef Chytry provides a comprehensive and extensive study of this central motif in German thought from Winckelmann to Marcuse. Chytry takes "aesthetic state" to signify the concentrated modern intellectual movement to revitalize the radical Hellenic tradition of the polis as the site of a beautiful or good life. The movement begins with the classicism of Winckelmann, Wiemar aesthetic humanism (Wieland, Herder, Goethe), and Schiller's formal theory of the aesthetic state and continues through the idealism of the Swabian dialecticians Holderlin, Hegel, and Schelling and the realism of Marx, Wagner, and Nietzsche. It culminates in the postrealism of Heiddegger, Marcuse, and the aesthetic modernist artist Walter Spies, who initiated a dialogue with the non-Western "theatre state" of the isle of Bali. Josef Chytry concludes that the future speculation on the ideal of an aesthetic state must come to terms with the postrealist themes of ontological anarchy, aesthetic ethos, and theatre state. In a bold effort to stimulate such speculation, |
Chytry indicates how proponents of the aesthetic state might join forces with Rawlsian political theory to promote further the organon of persuasion that, in his view, serves as the common fount for the ancient, dialectical, and contractarian quests for the polis. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989. |
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