| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910158942803321 |
|
|
Autore |
Stiles Robert <1836-1905, > |
|
|
Titolo |
Four years under Marse Robert / / by Robert Stiles |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[Place of publication not identified] : , : Pickle Partners Publishing, , [2014] |
|
©2014 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[Third edition.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (558 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNINA9911009214803321 |
|
|
Autore |
Mhango Nkwazi Nkuzi |
|
|
Titolo |
Soul On Sale / Nkwazi Nkuzi Mhango |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Baltimore, Maryland : , : Project Muse, , 2015 |
|
Baltimore, Md. : , : Project MUSE, , 2015 |
|
©2015 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (118 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
POETRY / African |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
|
|
|
|
|
Nota di contenuto |
|
""Cover""; ""Title page""; ""Copyright page""; ""Acknowledgment""; ""Souls on Sale (SOS)""; ""Xenophobia Is Wrong""; ""This Poor Soul""; ""Back cover"" |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Soul On Sale (SOS) sounds like a rap song though it isn't. It isn't purely a poem but a long- provocative and vigorous song focusing on the history of injustices and those suffering from injustice urging them to take action. It explores colonialism, corruption and neocolonialism Africa faces. It chides victims to self-reinvent so as to change the status quo manned by begging and venal potentates. It seeks to provoke readers to feel empowered and responsible. Thus, stand and change the world's status quo sui generis. It employs an enthralling-flow style in free verse to catch the attention of the reader. |
|
|
|
|
|
|
|
| |