1.

Record Nr.

UNINA9911002563103321

Autore

Mikić Marijana

Titolo

Emotion, Race, and Space in Contemporary African American Literature / / by Marijana Mikić

Pubbl/distr/stampa

Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025

ISBN

9783031857959

Edizione

[1st ed. 2025.]

Descrizione fisica

1 online resource (IX, 232 p.)

Collana

American Literature Readings in the 21st Century, , 2634-5803

Disciplina

809.05

Soggetti

Literature, Modern - 20th century

Literature, Modern - 21st century

America - Literatures

Human geography

Cultural geography

Prose literature

Contemporary Literature

Twentieth-Century Literature

North American Literature

Social and Cultural Geography

Narrative Text and Prose

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Chapter 1:Introduction.-Chapter 2:Fear, Hope, and Geographies of Slavery in Colson Whitehead’s The Underground Railroad and Edward P. Jones’s The Known World -- Chapter 3:Shame, Guilt, and Separatist Geographies in Toni Morrison’s Home and Brit Bennett’s The Vanishing Half -- Chapter 4:Anger, Outrage, Race, and Space in Percival Everett’s Erasure and Maurice Carlos Ruffin’s We Cast a Shadow -- Chapter 5: Grief, Grievability, and Environmental Disaster in Sherri L. Smith’s Orleans and N.K. Jemisin’s Broken Earth Trilogy -- Chapter 6: Conclusion.

Sommario/riassunto

“A dazzling theoretical tour de force, Mikić masterfully illuminates the intricate intersections of emotion, race, and geography in Black fiction.



In lockstep with race-narrative luminaries like Kenneth Warren, Madhu Dubey, Christopher González, and Sue J. Kim, Mikić deftly reveals how literary giants such as Morrison, Everett, Whitehead, and Jemisin expose the harrowing nexus of racialized spaces and negatively valanced emotions like fear, shame, and grief. Her innovative socio-political and cognitive narratological lens reveals the deep structural roots of emotional anguish while exalting Black fiction's kaleidoscopic complexity and transformative brilliance. Mikić’s visionary framework redefines how we interpret Black fiction—along with Latinx, Native, and Asian American. Bold. Brilliant. Boundless!” —Frederick Luis Aldama, Jacob & Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin, USA This open access book examines how selected African American authors—Colson Whitehead, Edward P. Jones, Toni Morrison, Brit Bennett, Percival Everett, Maurice Carlos Ruffin, Sherri L. Smith, and N.K. Jemisin—narrate relationships between emotion, race, and space. On the one hand, they bear witness to the structural production of Black emotional pain at the confluence of racial and spatial discrimination. On the other hand, they reveal meaningful and subversive interlinkages between Black emotional experiences and Black spatial practices. Weaving together insights from psychology, narrative theory, African American studies, affect theory, and Black Geographies, Marijana Mikić interrogates fear, hope, shame, guilt, anger, and grief in relation to the racial-geographic projects of slavery, Jim Crow segregation, and their continued legacies. Mikić draws attention to the narrative strategies contemporary African American authors employ to prompt their readers’ engagement with both the pain and the possibility that continues to shape Black lives in the twenty-first century. Marijana Mikić completed her PhD at the Department of English at the University of Klagenfurt, Austria. She is coeditor of Ethnic American Literatures and Critical Race Narratology. Her essays have appeared in JNT: Journal of Narrative Theory, Orbis Litterarum, and Anglia. .