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UNINA990007964100403321 |
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Autore |
Wilson, Thomas Hastings |
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Titolo |
Intestinal absorption / T. Hastings Wilson |
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London : W. B. Saunders Company, 1962 |
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Monografia |
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2. |
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UNINA9910724326603321 |
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Titolo |
L'art avant l'art : Le paradigme préhistorique / / édité par Audrey Rieber |
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Lyon : , : ENS Éditions, , 2022 |
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Descrizione fisica |
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1 online resource (238 pages) : illustrations |
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Materiale a stampa |
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Monografia |
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Les peintures, gravures, sculptures et objets mobiliers découverts, en particulier depuis Altamira, célèbre grotte ornée d'Espagne et véritable chef-d'œuvre de l'art paléolithique, ne cessent d'interroger chercheurs, artistes et grand public. Comment penser cet « art avant l'art », ces |
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œuvres des origines auxquelles nous attribuons une valeur esthétique mais dont la réalisation est antérieure et irréductible au concept d'art qui est le nôtre aujourd'hui ? Il convient pour cela de dégager les traits fondamentaux de ce paradigme préhistorique qui a paradoxalement résonné avec l'art moderne. On examinera quel traitement du geste, de la figuration, de l'espace et du mouvement a été source d'inspiration et de renouveau pour les artistes, de Picasso à Moore. L'ouvrage défend l'hypothèse que le Paléolithique force à reconsidérer notre définition de l'art, de ses fonctions et de ses significations, de ses débuts et de son histoire. Les réflexions inédites proposées par des spécialistes en philosophie, histoire, histoire de l'art et littérature s'adresseront à tous les passionnés de l'art et de ses théories. |
The paintings, engravings, sculptures and movable objects discovered, particularly since the discovery of Altamira, the famous decorated cave in Spain and a true masterpiece of Paleolithic art, never cease to question researchers, artists and the general public. How can we think about this 'art before art', these works of the origins to which we attribute an aesthetic value but whose realisation is prior and irreducible to the concept of art that we have today? In order to do so, we must identify the fundamental features of this prehistoric paradigm which paradoxically resonates with modern art. The treatment of gesture, figuration, space and movement will be examined as a source of inspiration and renewal for artists from Picasso to Moore. The book argues that the Paleolithic forces us to reconsider our definition of art, its functions and meanings, its beginnings and its history. |
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3. |
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UNINA9910991176803321 |
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Autore |
Fierro Pedro |
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Titolo |
Abandoned Places in the Digital Era : Spatial Roots of Disaffection and the Internet’s Role in Inclusion / / by Pedro Fierro, Patricio Aroca, Patricio Navia |
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Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2025 |
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[1st ed. 2025.] |
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1 online resource (XIV, 78 p. 17 illus., 15 illus. in color.) |
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SpringerBriefs in Regional Science, , 2192-0435 |
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Regional economics |
Space in economics |
Economic geography |
Geography |
Regional and Spatial Economics |
Economic Geography |
Regional Geography |
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Part I. Introduction -- Chapter 1. Introduction -- Part II. Theoretical Framework -- Chapter 2. Political Discontent: Specificity, Trajectory, and Discontent -- Chapter 3. The Unique Problem of Political Disaffection -- Chapter 4. Digital Platforms and their Democratic Role -- Chapter 5. Territory and Political Engagement -- Part III. Methodological Approach -- Chapter 6. Questionnaire Design -- Chapter 7. The Analysis -- Part IV. Results and Discussion -- Chapter 8. Results -- Part V. Conclusion -- Chapter 9. Final Remarks. |
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This book explores the spatial and contextual factors behind citizens' anger, frustration, and sense of abandonment, alongside the role of digital platforms in politically marginalized areas. It shifts the focus from voting geography to the geography of discontent, offering a new perspective on digital inequalities. The study addresses the complexities of "left-behind" places, recognizing that patterns of decline in developed countries differ from those in developing nations, where political and cultural dynamics play a key role. Using Chile’s |
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Valparaíso region as a case study, the book applies its framework to a context characterized by a strong party system, robust institutions, and high Internet penetration. Chile’s recent political crisis, marked by widespread dissatisfaction, makes this analysis particularly relevant. Valparaíso, with its unique role as the host of the National Congress and as a focal point of the 2019 social uprising, serves as a microcosm for understanding the spatial dimensions of political discontent in digitally connected societies. |
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