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Record Nr. |
UNINA9910987993503321 |
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Autore |
Pinn Anthony B |
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Titolo |
Deathlife : Hip hop and thanatological narrations of blackness. / / Anthony B Pinn |
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Pubbl/distr/stampa |
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2024 |
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Durham : , : Duke University Press, , 2024 |
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ISBN |
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Descrizione fisica |
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Classificazione |
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MUS031000REL000000SOC001000 |
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Disciplina |
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Soggetti |
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Rap (Music) - Religious aspects |
Rap (Music) - Social aspects |
Hip-hop - Influence |
African Americans - Songs and music - Social aspects |
African Americans - Race identity |
Death in music |
Life |
SOCIAL SCIENCE / Ethnic Studies / African American Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Paradigms of Death (or Life) and Deathlife -- Signifying Deathlife -- The Orphic Hustler -- The Antihero -- Consuming Deathlife -- Bacchic Intent -- Zombic Hunger -- Two Types of Melancholia. |
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Sommario/riassunto |
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In Deathlife , Anthony B. Pinn analyzes hip hop to explore how Blackness serves as a framework for defining and guiding the relationship between life and death in the United States. Pinn argues that white supremacy and white privilege operate based on the right to distinguish death from life. This distinction is produced and maintained through the construction of Blackness as deathlife . Drawing on Afropessimism and Black moralism, Pinn theorizes deathlife as a technology of whiteness that projects whites' anxieties about the end of their lives onto the Black other. Examining the music of Jay-Z; Kendrick Lamar; Tyler, the Creator; and others, Pinn shows how hip hop configures the interconnection and dependence between death and life |
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