The book consists of fifteen studies and sketches written over the past two decades and devoted to the twentieth century German theatre and Austrian drama. The publication consists of three parts. The first includes sketches on Max Reinhardt's theatre – his mass theatre against the backdrop of the spectacle festive culture in Germany in the 19th-20th centuries, the organization of the theatre companies he owned, and the director's strategies used in Shakespearean productions. In addition, there is a sketch on the Polish reception of Reinhardt's theatre and an article on Pola Negri's roles in the pantomime and the film “Sumurun”. The second block consists of texts on the work of Oskar Schlemmer – his stage explorations, the idea of the new man present in his works and thought, and on contemporary reconstructions of his works. The third block consists of articles on the medium of film in the theatre of Erwin Piscator, two dissertations on the dramaturgy of Friedrich Wolf, a sketch tracking the emigration history of Reinhardt, Piscator and Brecht, and an analysis of the post-war reception of Brecht's plays in Poland. The next texts discuss more recent works – Pina Bausch's dance theatre performance and the dramas by Gert Jonke and Peter Turrini. With reference to one of Turrini's plays discussed, the book |