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Record Nr. |
UNINA9910974759103321 |
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Autore |
Sinnreich Aram |
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Titolo |
Mashed up : music, technology, and the rise of configurable culture |
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Pubbl/distr/stampa |
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[Place of publication not identified], : University of Massachusetts Press, 2010 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (269 pages) |
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Collana |
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Science/technology/culture Mashed up |
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Disciplina |
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Soggetti |
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Popular music - Social aspects |
Music and technology - History and criticism |
Mashups (Music) - History and criticism |
Remixes |
Turntablism |
Music |
Music, Dance, Drama & Film |
Music Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di contenuto |
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Cover -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Preface -- Acknowledgments -- Introduction: The Bust -- Part I: When the Mode of the Music Changes -- Chapter 1: Music as a Controlled Substance -- Chapter 2: The Modern Framework -- Chapter 3: The Crisis of Configurability -- Part II: Drawing Lines in the Sand -- Chapter 4: Yes, But Is It Art? The Art/Craft Binary -- Chapter 5: Some Kid in His Bedroom The Artist/Audience Binary -- Chapter 6: Something Borrowed, Something New The Original/Copy Binary -- Chapter 7: Live from a Hard Drive The Composition/Performance Binary -- Chapter 8: Hooks and Hearts The Figure/Ground Binary -- Chapter 9: "He Plays Dictaphones, and She Plays Bricks "The Materials/Tools Binary -- Part III: The Lessons Configurability and the New Framework -- Chapter 10: Critique and Co-optation -- Chapter 11: "Plus Ça Change" or Paradigm Shift? -- Notes -- Index -- Back Cover. |
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Sommario/riassunto |
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From ancient times to the present day, writers and thinkers have remarked on the unique power of music to evoke emotions, signal |
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identity, and bond or divide entire societies, all without the benefit of literal representation. |
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