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1. |
Record Nr. |
UNINA9910973238903321 |
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Autore |
Suárez Almudena |
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Titolo |
Stability analysis of nonlinear microwave circuits / / Almudena Suarez, Raymond Quere |
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Pubbl/distr/stampa |
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Boston, : Artech House, c2003 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (355 p.) |
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Collana |
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Artech House microwave library |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Microwave circuits |
Electronic circuits |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Stability Analysis of Nonlinear Microwave Circuits; Contents v; Preface xi; Acknowledgments xv; 1 Steady-State Solutions of Nonlinear Circuits 1; 2 Nonlinear Analysis Techniques 61; 3 Local Stability Analysis 117; 4 Bifurcation Analysis of Nonlinear Circuits 177; 5 Global Stability of Microwave Circuits 243; 6 Bifurcaion Routes to Chaos 295; About the Authors 323; Index 325 |
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Sommario/riassunto |
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Annotation "Stability Analysis of Nonlinear Microwave Circuits is essential reading for microwave designers working with circuits based on solid state devices, diodes, and transistors, engineers designing radio-frequency circuits, and professionals regularly involved in any area requiring a functional knowledge of nonlinear oscillations and stability concepts. It provides an in-depth look at the very complex and often unforeseen behavior of nonlinear circuits. The book includes detailed coverage of power amplifiers, voltage-controlled oscillators, frequency dividers, frequency multipliers, self-oscillating mixers, and phased-locked loops."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. |
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2. |
Record Nr. |
UNINA9910974513103321 |
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Autore |
Linville Susan E. (Susan Elizabeth), <1949-> |
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Titolo |
Feminism, film, fascism : women's auto/biographical film in postwar Germany / / Susan E. Linville |
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Pubbl/distr/stampa |
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Austin, : University of Texas Press, 1998 |
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ISBN |
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Edizione |
[1st University of Texas Press ed.] |
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Descrizione fisica |
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1 online resource (208 p.) |
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Disciplina |
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Soggetti |
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Motion pictures - Germany - History |
Women in motion pictures |
Women motion picture producers and directors - Germany |
Motion pictures - Germany - Psychological aspects |
Guilt |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Filmography: p. [171]. |
Includes bibliographical references (p. [173]-188) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Identity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index |
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Sommario/riassunto |
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German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of |
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different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past. |
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