1.

Record Nr.

UNINA9910973238903321

Autore

Suárez Almudena

Titolo

Stability analysis of nonlinear microwave circuits / / Almudena Suarez, Raymond Quere

Pubbl/distr/stampa

Boston, : Artech House, c2003

ISBN

1-58053-586-0

Edizione

[1st ed.]

Descrizione fisica

1 online resource (355 p.)

Collana

Artech House microwave library

Altri autori (Persone)

QuéréRaymond

Disciplina

621.381/32

Soggetti

Microwave circuits

Electronic circuits

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Stability Analysis of Nonlinear Microwave Circuits; Contents v; Preface xi; Acknowledgments xv; 1 Steady-State Solutions of Nonlinear Circuits 1; 2 Nonlinear Analysis Techniques 61; 3 Local Stability Analysis 117; 4 Bifurcation Analysis of Nonlinear Circuits 177; 5 Global Stability of Microwave Circuits 243; 6 Bifurcaion Routes to Chaos 295; About the Authors 323; Index 325

Sommario/riassunto

Annotation "Stability Analysis of Nonlinear Microwave Circuits is essential reading for microwave designers working with circuits based on solid state devices, diodes, and transistors, engineers designing radio-frequency circuits, and professionals regularly involved in any area requiring a functional knowledge of nonlinear oscillations and stability concepts. It provides an in-depth look at the very complex and often unforeseen behavior of nonlinear circuits. The book includes detailed coverage of power amplifiers, voltage-controlled oscillators, frequency dividers, frequency multipliers, self-oscillating mixers, and phased-locked loops."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.



2.

Record Nr.

UNINA9910974513103321

Autore

Linville Susan E. (Susan Elizabeth), <1949->

Titolo

Feminism, film, fascism : women's auto/biographical film in postwar Germany / / Susan E. Linville

Pubbl/distr/stampa

Austin, : University of Texas Press, 1998

ISBN

0-292-79972-1

Edizione

[1st University of Texas Press ed.]

Descrizione fisica

1 online resource (208 p.)

Disciplina

791.43/0943

Soggetti

Motion pictures - Germany - History

Women in motion pictures

Women motion picture producers and directors - Germany

Motion pictures - Germany - Psychological aspects

Guilt

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Filmography: p. [171].

Includes bibliographical references (p. [173]-188) and index.

Nota di contenuto

Front matter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Identity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index

Sommario/riassunto

German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of



different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.