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1. |
Record Nr. |
UNINA9910146065603321 |
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Autore |
Lee Weng Fook |
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Titolo |
Verilog Coding for Logic Synthesis |
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Pubbl/distr/stampa |
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[Place of publication not identified], : Wiley Interscience Imprint, 2003 |
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ISBN |
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1-280-55652-8 |
9786610556526 |
0-471-45755-8 |
0-470-35692-8 |
0-471-45756-6 |
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Edizione |
[1st edition] |
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Descrizione fisica |
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1 online resource (1 v.) : ill |
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Disciplina |
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Soggetti |
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Digital electronics |
Logic circuits - Computer-aided design |
Verilog (Computer hardware description language) |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- Asic design flow -- Verilog coding -- Coding style : best-known method for synthesis -- Design example of programmable timer -- Design example of programmable logic block for peripheral interface. |
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Sommario/riassunto |
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Provides a practical approach to Verilog design and problem solving. Bulk of the book deals with practical design problems that design engineers solve on a daily basis. Includes over 90 design examples. There are 3 full scale design examples that include specification, architectural definition, micro-architectural definition, RTL coding, testbench coding and verification. Book is suitable for use as a textbook in EE departments that have VLSI courses |
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2. |
Record Nr. |
UNINA9910974291403321 |
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Autore |
Zbikowski Lawrence Michael |
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Titolo |
Conceptualizing music : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2002 |
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ISBN |
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0-19-518797-0 |
1-280-48140-4 |
9786610481408 |
0-19-803217-X |
1-60256-973-8 |
0-19-518502-1 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (377 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Musical perception |
Musical analysis |
Cognition |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 335-352) and index. |
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Nota di contenuto |
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Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
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Sommario/riassunto |
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This text shows how work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists can be used to explain how we understand music. The book focuses on three cognitive processes - categorization, cross-domain mapping, and the use of the conceptual model. |
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