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1. |
Record Nr. |
UNIORUON00195921 |
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Autore |
MARINI, Ph. |
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Titolo |
Spéculation et politique foncières / Ph. Marini ; B. Remond ; prefation de Olivier Guichard |
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Pubbl/distr/stampa |
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Paris, : Berger-Levrault, 1976. 421 p. ; 21 cm. |
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Altri autori (Persone) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910971800503321 |
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Autore |
Sorce Keller Marcello |
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Titolo |
What Makes Music European : Looking beyond Sound |
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Pubbl/distr/stampa |
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Lanham, Maryland : , : Scarecrow Press, , 2011 |
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New York : , : Bloomsbury Publishing (US), , 2025 |
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ISBN |
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979-82-16-29368-2 |
979-88-8183-927-7 |
1-280-66992-6 |
9786613646859 |
0-8108-7673-6 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (333 p.) |
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Collana |
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Europea: Ethnomusicologies and Modernities |
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Classificazione |
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Disciplina |
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Soggetti |
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Music - History and criticism |
Music - Philosophy and aesthetics |
Music - Social aspects |
Folk & traditional music |
Music reviews & criticism |
Theory of music & musicology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Contents; Series Editors' Foreword; Preface; Introduction; Part I: Who Makes the Music (Why We All Are "Composers"); 1 Composing as We Think of It, Composing as We Do It; 2 Oral Transmission; 3 Improvisation and the Collective Dimension; 4 When "We" Get the Music; Part II: Originality, Ideology, and Taste; 5 Should Music Be Original, and How Original Can It Be; 6 Why People Identify with Organized Sound; 7 Why Is Music So Ideological; 8 How Can We Face So Many Different Musics; 9 Why Do We Misunderstand the Music of All Times and Places; 10 How Much of a Good Thing |
11 Musical Gardens and Greenhouses versus Woods and PrairiesPart III: The Tangible Aspects of Music Making; 12 The Social Value of Music; 13 Musical Value and Its Locations; Conclusions; Appendix; References; Index; About the Author |
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Sommario/riassunto |
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In What Makes Music European, Marcello Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music app |
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