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1. |
Record Nr. |
UNICASRML0301819 |
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Titolo |
Ordinamento curtense e clientele vassallatiche / Robert Boutruche |
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Pubbl/distr/stampa |
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Bologna, : Il Mulino, 1971 |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910974423603321 |
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Autore |
Wendling Mike |
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Titolo |
Alt-Right : From 4chan to the White House |
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Pubbl/distr/stampa |
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London : , : Pluto Press, , 2018 |
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©2018 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (204 p.) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction: Is it OK to Punch a Nazi? -- 1 The Intellectuals -- 2 The Racialists -- 3 The Channers -- 4 The Meninists -- 5 Language -- 6 Media -- 7 Neo-Nazis -- 8 Ordinary Guys -- 9 Conspiracy Theorists -- 10 The Violent Fringe -- 11 The White House -- 12 Downfall -- Notes -- Index. |
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Sommario/riassunto |
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Aside from the election of Donald Trump, the most surprising political development of the past few years has been the rapid rise of the Alt-Right--the white nationalist, anti-feminist, far-right movement that |
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provided much of the ground-level energy for Trump's campaign and has been a focus of international media attention ever since. Yet we still rarely get a clear sense of who and what the Alt-Right actually are, and what their long-term effect is likely to be.Journalist Mike Wendling knows. He's been following the Alt-Right closely for years, and with this book he shares the deep knowledge he's gleaned. Media accounts to the contrary, the Alt-Right didn't just burst out of nowhere in 2016--rather, they have been building their network quietly for years, using bulletin boards and social media to spread a toxic hybrid of technological utopianism, reactionary philosophy, and racial hatred. Wendling traces clearly the rise of the movement and the evolution of its ideas, and he introduces us to some of its key figures--many of whom he interviewed personally for the book. He explores links between Alt-Right rhetoric and hate crimes and terrorism, showing that the evidence connecting them is undeniable. Ultimately, however, he builds a strong case that the movement's lack of a coherent base and its contradictory tendencies are already sapping its strength and will lead to its downfall.A shocking expos of a movement whose emergence stunned the world, Alt-Right presents a disturbing picture of our current political moment. |
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3. |
Record Nr. |
UNINA9910971645703321 |
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Autore |
Giddings Bob <1952-> |
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Titolo |
Artists' impressions in architectural design / / Bob Giddings, Margaret Horne |
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Pubbl/distr/stampa |
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London, : Spon Press, 2002 |
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ISBN |
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1-135-80795-7 |
1-135-80796-5 |
0-419-23600-7 |
1-280-09988-7 |
0-203-36246-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (287 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Architectural drawing - Technique |
Architectural rendering - Technique |
Architecture |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; Acknowledgements; Context and Introduction; Theory and Ideas about Envisioning Buildings; Historical Methods; Artists' Pictures; Two Dimensional Drawings; Three Dimensional Drawings; Thin Straight Lines; Realistic Impressions; Models; Computer-Aided Design; Virtual Reality; Where Next? Ideas and Conclusions; List of Illustrations; Credits; References; Index |
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Sommario/riassunto |
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Artists' Impressions in Architectural Design analyses the ways in which architects have presented their designs for clients and the public, both historically and contemporarily. It spans a period from the fifteenth to the twenty-first century.Architects have become familiar with change. The passage of time has brought with it new and revived styles of architecture, as well as innovative tools and techniques for their representation. The result is that while some methods show a view of the architect's concept for a building, others offer an almost real experience of the intended ar |
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