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Record Nr. |
UNINA9910970808903321 |
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Autore |
Sharp Jolly Kay <1954-> |
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Titolo |
"Between the house and the chicken yard" : the masks of Mary Flannery O'Connor / / Jolly Kay Sharp |
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Pubbl/distr/stampa |
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Macon, GA, : Mercer University Press, c2011 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Characters and characteristics in literature |
Self-presentation in literature |
Self-disclosure in literature |
Self-perception in authors |
Southern States In literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (p. [167]-170) and index. |
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Nota di contenuto |
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Introduction -- O'Connor's early masks -- O'Connor's surly disposition : Enoch, Nelson, and Hulga -- O'Connor's intense vision : Hazel Motes -- O'Connor's prophetic voice : Old Tarwater and Rufus Johnson -- O'Connor's southern myth masks -- O'Connor's mentoring masks -- Conclusion. |
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Sommario/riassunto |
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Recognizing personal tendencies and developing literary talents enabled Mary Flannery O'Connor to don multiple masks, concealing or revealing segments of herself as she desired. With no memoirs or lengthy autobiographies, O'Connor's published works, letters, manuscripts, along with previously unpublished letters are examined to determine how O'Connor defined herself, not just how other scholars interpret her life and works. In fact, the plethora of criticism is in danger of obscuring the most important authority: O'Connor herself...Carl Jung claimed that adopted personas allow people ways to conform to society acceptably. While O'Connor's personal and social masks were affected by her Southern and Catholic roots, her vivid imagination and artistry fashioned her literary masks, allowing her to explore life's grotesqueness. Some of O'Connor's literary characters shelter self-defining features of her own personality and purpose. O'Connor's |
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masks serve as metaphorical embodiments of her veiled autobiography, illuminating key components of her sense of self and of her literary power. Sharp's exploration of these society-obligatory and self-imposed masks identify O'Connor's goals, struggles, and successes; her critical insight into her own literature; her reaction and responses to family, friends, and acquaintances; and, ultimately, her own success and growth. |
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