De Stefano : immagini da una rivoluzione : Napoli 1799 / Nino D'Antonio ...[et al.].

• Record Nr.: UNISA990000028170203316
• Pubbl/distr/stampa: Napoli . A. Guida, copyr. 1989
• Descrizione fisica: 1 v. : ill. ; 33 cm
• Disciplina: 016. 945 73
• Collocazione: III A 728
• Lingua di pubblicazione: Italiano
• Formato: Materiale a stampa
• Livello bibliografico: Monografia

Graphic design, translated : a visual dictionary of terms for global design = Le langage du graphisme = Grafik design übersetzt = Il linguaggio della grafica = El lenguaje del diseño gráfico / / Peter J. Wolf

• Record Nr.: UNINA9910970686503321
• Autore: Wolf Peter J
• Pubbl/distr/stampa: Beverly, Mass., : Rockport Publishers, 2011
• ISBN: 9781616738808; 1616738804
• Edizione: [1st edition]
• Descrizione fisica: 1 online resource (432 p.)
• Disciplina: 741.603
• Soggetti: Graphic arts - Polyglot; Printing - Polyglot; Dictionaries, Polyglot
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Includes index.
• Nota di bibliografia: Includes bibliographical references and indexes.
• Nota di contenuto: Cover -- Title -- Table of Contents -- Introduction -- How To Use This Book -- Pronunciation Guide -- Languages Table of Contents -- English Terms -- A -- ACCORDION FOLD -- ALIASING, ANTI-ALIASING ; -- ALIGNMENT -- ALL CAPS -- ANALOGOUS COLORS -- ANIMATION -- APOSTROPHE -- AQUEOUS COATING -- ART DECO -- ART NOUVEAU -- ARTS AND CRAFTS -- ASCENDER -- ASYMMETRY -- B -- BACK MATTER -- BALANCE -- BARREL FOLD -- BASELINE -- BAUHAUS -- BÉZIER CURVE -- BINDING -- BITMAP -- BLACKLETTER -- BLEED -- BODY COPY -- BOLD/BOLDFACE -- BORDER -- BRANDING -- BRIGHTNESS -- BULLET -- C -- CALIPER -- CALLIGRAPHY -- CALLOUT -- CAP HEIGHT -- CAPTION -- CASE BINDING -- CENTERED TYPE/TEXT -- CHANNELS -- CHROMA -- CLIP ART -- CMYK -- COATED PAPER -- COLLAGE -- COLOR -- COLOR CORRECTION -- COLOR-MATCHING SYSTEM -- COLOR MODEL -- COLOR PALETTE -- COLOR SPACE -- COLOR WHEEL -- COLUMN -- COMPLEMENTARY COLORS -- COMPOSITE -- COMPOSITION -- CONDENSED TYPE -- CONSTRUCTIVISM -- CONTRAST -- COPYFITTING -- COUNTER -- CROP -- CUBISM -- D -- DADA -- DE STIJL -- DEBOSS -- DESCENDER -- DIE CUT -- DINGBATS -- DISPLAY TYPE -- DITHER -- DROP CAPITAL/CAP -- DUOTONE -- E -- EGYPTIAN -- ELLIPSIS -- EM -- EM DASH -- EM SPACE -- EMBOSS -- EN -- EN DASH -- EN SPACE -- END MATTER -- EXPERT SET -- EYE FLOW -- F -- FACING PAGES -- FIGURE-GROUND -- FLUSH-LEFT/FLUSH-RIGHT -- FOCAL POINT -- FOIL STAMPING -- FONT -- FOR POSITION ONLY (FPO) -- FORM-COUNTERFORM -- FOUR-COLOR PROCESS -- FRONT MATTER -- FUTURISM -- G -- GALLEY PROOF -- GRADIENT -- GRAYSCALE -- GREEKING -- GRID -- GUTTER -- H -- H&amp -- J -- HALFTONE -- HANGING PUNCTUATION -- HEADING -- HEADLINE -- HIERARCHY -- HUE -- HYPHEN -- HYPHENATION -- I -- ICON -- IDENTITY -- IMPOSITION -- INDENT -- INITIAL CAPITAL/CAP -- INTERACTION DESIGN -- ITALIC -- J -- JUSTIFIED TYPE/TEXT -- K -- KERNING -- KISS DIE CUT -- L -- LASER CUT -- LAYER -- LAYOUT.; LEADING -- LEGIBILITY -- LETTER SPACING -- LETTERFORM -- LETTERPRESS -- LIGATURE -- LINE -- LINE BREAK -- LINE LENGTH -- LINING NUMERALS/FIGURES -- LITHOGRAPHY -- LOGO -- LOREM IPSUM -- M -- MAKEREADY -- MARGIN -- MASTER PAGE -- MEAN LINE -- MEASURE -- METAPHOR -- MODERNISM -- MOIRÉ -- MONOCHROMATIC -- MONOSPACED -- MONTAGE -- MULTIMEDIA -- N -- NEGATIVE SPACE -- O -- OBLIQUE -- OFFSET LITHOGRAPHY -- OLD-STYLE NUMERALS/FIGURES -- OPTICAL ALIGNMENT -- ORPHAN -- OUTLINE TYPE -- OVERPRINTING -- P -- PACKAGING DESIGN -- PAGINATION -- PANTONE MATCHING SYSTEM (PMS) -- PAPER SIZES -- PATH -- PERFECT BINDING -- PHOTOMONTAGE -- PICA -- PICTOGRAM -- PIXEL -- POINT/POINT SIZE -- POSITIVE SPACE -- POSTERIZATION -- POST-MODERNISM -- PRIMARY COLORS -- PROCESS COLORS -- PROOF -- PROPORTIONAL -- PULL QUOTE -- Q -- QUOTATION MARKS -- R -- RAG -- RASTER GRAPHICS -- READABILITY -- REAM -- RECTO/VERSO -- REGISTRATION -- RESOLUTION -- REVERSE/REVERSE OUT -- RGB -- RHYTHM -- RIVERS -- ROMAN TYPE -- RULE -- S -- SADDLE-STITCH BINDING -- SANS SERIF -- SATURATION -- SCALE -- SCREEN PRINTING -- SCRIPT TYPE -- SECONDARY COLORS -- SERIF -- SHEET SIZES -- SIGNATURE -- SMALL CAPITALS/CAPS -- SPREAD -- STANDING CAPITAL/CAP -- STOCK PHOTOGRAPHY/IMAGES -- SUBHEAD -- SUBSCRIPT -- SUPERSCRIPT -- SURREALISM -- SWASH CHARACTERS -- SYMBOL -- SYMMETRY -- T -- TERTIARY COLORS -- TEXT WRAPPING -- TEXTURE -- THUMBNAIL -- TINT -- TRACKING -- TRAPPING -- TRITONE -- TYPE -- TYPE CLASSIFICATION -- TYPE FAMILY -- TYPEFACE -- TYPESETTING -- TYPOGRAPHY -- U -- ULTRAVIOLET COATING -- V -- VALUE -- VARNISH -- VECTOR GRAPHIC -- VERSO -- VICTORIAN -- VISUAL ALIGNMENT -- W -- WHITE SPACE -- WIDOW -- X -- X-HEIGHT -- French terms -- German terms -- Italian terms -- Spanish terms -- Index of terms -- English -- Français -- Deutsch -- ; Italiano -- Español -- About the Author.
• Sommario/riassunto: For centuries now, visual communication design has celebrated national identities (through the now-iconic identity systems developed for the Olympic Games, for example) at the same time as it transcends international borders, such as through the far-reaching influence of the Bauhaus and the International Typographic Style.