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1. |
Record Nr. |
UNISA990005508710203316 |
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Autore |
ITO, Kiyosi |
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Titolo |
Diffusion processes and their sample paths / Kiyosilto Ito, Henry P. Mckean, Jr |
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Pubbl/distr/stampa |
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Berlin ; Heidelberg : Springer, 1996 |
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Edizione |
[2nd. reprint of the 1974 edition] |
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Descrizione fisica |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910970510503321 |
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Autore |
Calder Andrew <1942-> |
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Titolo |
Moliere : the theory and practice of comedy / / Andrew Calder |
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Pubbl/distr/stampa |
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London ; ; Atlantic Highlands, : Athlone Press, 1993 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (256 p.) |
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Disciplina |
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Soggetti |
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French drama - 17th century - History and criticism - Theory, etc |
French drama (Comedy) - History and criticism - Theory, etc |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [228]-233) and index. |
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Nota di contenuto |
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Contents; Preface; CHAPTER ONE: Character; CHAPTER TWO: Plot and Action I: The Plots of New Comedy; CHAPTER THREE: Plot and Action II: Comic Fate; CHAPTER FOUR: Comedy and the Ridiculous; CHAPTER FIVE: Reason and the Ridiculous; CHAPTER SIX: Body and Soul: A Physiology of Laughter; CHAPTER SEVEN: Honnêteté; CHAPTER EIGHT: Judgement; CHAPTER NINE: Sociability, Reason and Laughter; CHAPTER TEN: Families; CHAPTER ELEVEN: Aristotelian Pedants; CHAPTER TWELVE: Medicine; CHAPTER THIRTEEN: Preciosity; CHAPTER FOURTEEN: Le Tartuffe; CHAPTER FIFTEEN: Dom Juan and 'the hidden God' |
CHAPTER SIXTEEN: Molière's PhilosophyChronology; Notes; Bibliography; Index |
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Sommario/riassunto |
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The history of ideas provides an important means of understanding and reinterpreting the literature of the past; and in this study Dr. Calder demonstrates the illumination that this informed approach brings to the comedies of MoliFre. In the course of this study, the author outlines a fresh theory of classical comedy which applies to the works of other French writers of the 17th century; and the historical reinterpretations of MoliFre's two most difficult plays -- Le Tartuffe and Dom Juan -- break entirely new ground.Although this is a work which specialists will admire, it is also intended to |
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