1.

Record Nr.

UNINA9910970218903321

Autore

Bradley Adam

Titolo

Ralph Ellison in progress : from Invisible man to Three days before the shooting-- / / Adam Bradley

Pubbl/distr/stampa

New Haven, : Yale University Press, c2010

ISBN

9781299463844

1299463843

9780300147148

0300147147

Edizione

[1st ed.]

Descrizione fisica

1 online resource (320 p.)

Disciplina

813/.54

Soggetti

American literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Contents -- Introduction 1993 -- I. 1982 -- II. 1970 -- III. 1955 -- IV. 1952 -- V. 1950 -- VI. 1945 -- Conclusion 2010 -- Notes -- Bibliography -- Acknowledgments -- Index

Sommario/riassunto

Ralph Ellison may be the preeminent African-American author of the twentieth century, though he published only one novel, 1952's Invisible Man. He enjoyed a highly successful career in American letters, publishing two collections of essays, teaching at several colleges and universities, and writing dozens of pieces for newspapers and magazines, yet Ellison never published the second novel he had been composing for more than forty years. A 1967 fire that destroyed some of his work accounts for only a small part of the novel's fate; the rest is revealed in the thousands of pages he left behind after his death in 1994, many of them collected for the first time in the recently published Three Days Before the Shooting . . . .Ralph Ellison in Progress is the first book to survey the expansive geography of Ellison's unfinished novel while re-imaging the more familiar, but often misunderstood, territory of Invisible Man. It works from the premise that understanding Ellison's process of composition imparts important truths not only about the author himself but about race, writing, and American identity. Drawing on thousands of pages of Ellison's journals,



typescripts, computer drafts, and handwritten notes, many never before studied, Adam Bradley argues for a shift in scholarly emphasis that moves a greater share of the weight of Ellison's literary legacy to the last forty years of his life and to the novel he left forever in progress.