| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910967360403321 |
|
|
Autore |
Houck Max M |
|
|
Titolo |
Fundamentals of forensic science / / Max Houck, Jay Siegel |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Amsterdam ; ; Boston, : Elsevier/Academic Press, c2006 |
|
|
|
|
|
|
|
ISBN |
|
9786612540110 |
9781282540118 |
1282540114 |
9780080507088 |
0080507085 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (689 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Forensic sciences |
Criminal investigation |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Introduction -- Crime scene investigation -- The nature of evidence -- Microscopy -- Spectroscopic techniques -- Separation methods in forensic science -- Pathology -- Anthropology and odontology -- Entomology -- Serology and bloodstain pattern analysis -- DNA analysis -- Forensic hair examinations -- Illicit drugs -- Forensic toxicology -- Textile fibers -- Paint analysis -- Soil and glass -- Fires and explosions -- Friction ridge examination -- Questioned documents -- Firearms and tool marks -- Impression evidence -- Legal aspects of forensic science. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Unlike other introductory textbooks on the topic, Fundamentals of Forensic Science presents a complete look at the forensic sciences, emphasizing the biology, chemistry, and physical sciences that underpin forensic science. By covering the principles that are central to forensic science, and by discussing topics that are typically excluded from generalized discussions of "criminalistics,? this book provides a depth and breadth of information that no other textbook contains. Written by two of the leading experts in forensic science today, Fundamentals of Forensic Science appro |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910970160403321 |
|
|
Autore |
Verhoeven Deb |
|
|
Titolo |
Jane Campion / / Deb Verhoeven |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London ; ; New York, : Routledge, 2009 |
|
|
|
|
|
|
|
ISBN |
|
1-134-50404-7 |
1-281-90119-9 |
9786611901196 |
0-203-88596-1 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (286 p.) |
|
|
|
|
|
|
Collana |
|
Routledge film guidebooks |
|
|
|
|
|
|
Disciplina |
|
791.4302/33092 |
791.430233092 |
|
|
|
|
|
|
|
|
Soggetti |
|
Motion picture producers and directors - New Zealand |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. [240]-263) and index. |
Includes filmography: p. [220]-239. |
|
|
|
|
|
|
|
|
Nota di contenuto |
|
BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; INTRODUCTION Being Jane Campion in a Post-Campion World?; 1 BECOMING JANE CAMPION Modes of auteurism and the media; 2 REALIZING JANE CAMPION The industry, politics and economics of contemporary auteurism; 3 DISCIPLINING JANE CAMPION Auteurism and the knowing audience; 4 JANE CAMPION ON JANE CAMPION One more interview; CHRONOLOGY; FILMOGRAPHY; BIBLIOGRAPHIC RESOURCES; GLOSSARY; INDEX |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Jane Campion is one of the most celebrated auteurs of modern cinema and was the first female director to be awarded the prestigious Palme d'Or. Throughout her relatively short career, Campion has received extraordinary attention from the media and scholars alike and has provoked fierce debates on issues such as feminism, colonialism, and nationalism. In this detailed account of Jane Campion's career as a filmmaker, Deb Verhoeven examines specifically how contemporary film directors 'fashion' themselves as auteurs - through their personal interactions with the media, in their choice o |
|
|
|
|
|
|
|
| |