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1. |
Record Nr. |
UNINA990007517190403321 |
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Autore |
Wolff, Karl Felix <1879–1966> |
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Titolo |
I Monti pallidi : leggende delle Dolomiti / C.F. Wolff |
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Pubbl/distr/stampa |
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Edizione |
[9. ed.] |
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Descrizione fisica |
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299 p., 9 c. di fot. ; 20 cm |
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Collana |
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Collana d'oro Le Alpi ; 2 |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910969937703321 |
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Autore |
Fernández Carbajal Alberto |
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Titolo |
Compromise and Resistance in Postcolonial Writing : E. M. Forster's Legacy / / by Alberto Fernández Carbajal |
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Pubbl/distr/stampa |
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 |
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ISBN |
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Edizione |
[1st ed. 2014.] |
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Descrizione fisica |
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1 online resource (264 p.) |
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Disciplina |
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Soggetti |
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African literature |
Literature - Philosophy |
Culture - Study and teaching |
Literature, Modern - 20th century |
Literature |
European literature |
African Literature |
Literary Theory |
Cultural Theory |
Twentieth-Century Literature |
World Literature |
European Literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Contents; Acknowledgements; Note on the Publication of Primary Texts; Introduction - Liberal, Humanist, Modernist, Queer? Reclaiming Forster's Legacies; Beyond 'The Empire Writes Back'; Parody, intertextuality, influence; Liberal humanist?; Modernist?; Manifest and spectral legacies; Queer?; Negotiating the 'postcolonial'; 1 'He is one of your hollow men': Homosexuality and Sublimation in Paul Scott's The Raj Quartet and Ruth Prawer Jhabvala's Heat and Dust; Paul Scott's The Raj Quartet; Ruth Prawer Jhabvala's Heat and Dust; Conclusion |
2 Shattered Realities, Torn Nations: (Post)Modernism in J. G. Farrell's |
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The Siege of Krishnapur and Anita Desai's Clear Light of DayJ. G. Farrell's The Siege of Krishnapur; Anita Desai's Clear Light of Day; Conclusion; 3 Of 'planetary strangers': Humanism in Nadine Gordimer's The Lying Days and Michael Ondaatje's The English Patient; Nadine Gordimer's The Lying Days; Michael Ondaatje's The English Patient; Conclusion; 4 The Politics of Friendship and Hospitality: Liberalism in Salman Rushdie's Midnight's Children and The Moor's Last Sigh and in Zadie Smith's On Beauty |
Salman Rushdie's Midnight's Children and The Moor's Last SighZadie Smith's On Beauty; Conclusion; Conclusion: Towards a Cosmopolitan Humanism; Notes; Bibliography; Index |
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Sommario/riassunto |
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Compromise and Resistance in Postcolonial Writing offers a new critical approach to E. M. Forster's legacy. It examines key themes in Forster's work (homosexuality, humanism, modernism, liberalism) and their relevance to post-imperial and postcolonial novels by important contemporary writers. |
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3. |
Record Nr. |
UNINA9911009288403321 |
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Autore |
Steinorth Jennifer Sperry |
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Titolo |
Her Read : A Graphic Poem / / Jennifer Sperry Steinorth |
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Pubbl/distr/stampa |
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Huntsville, Texas : , : Texas Review Press, , [2021] |
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©[2021] |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Women in art |
Women artists |
Altered books |
Altered books - United States |
Artists' books. |
Visual poetry |
Erasure poetry |
Specimens. |
Poetry |
United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- Her Materials -- Her Introduction by Eleanor Wilner -- Her Read -- Her Thanks -- Her Notes & -- Transcriptions -- Her Canvases -- Blank Page. |
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Sommario/riassunto |
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"An erasure of Herbert Read's The Meaning of Art, a seminal work of art criticism first published in 1931, Her Read is a hybrid text "part sculpture part theatre part hospital." In the summer of 2016, rendered otherwise speechless by the amplification of hate on the national stage, and its resonance with silencing in Steinorth's personal life, she began a hybrid project, at once poetry and visual art. Appropriating a library discard of The Meaning of Art, by Herbert Read (Faber & Faber, 1931), and with liberal use of correction fluid and ink, she began excavating a first-person lyric. From the voice of the male critic surveying the canon of male artists, she imagined voice(s) of womxn-objects become authors, become artists. Her Read is part of Con[text]ual, a series illuminating the intersection of visual art and text in the context of ideas that deepen our understanding of the contemporary world"-- |
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