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1. |
Record Nr. |
UNINA9910953822603321 |
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Autore |
Pabst Willi |
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Titolo |
Phase mixture models for the properties of nanoceramics / / Willi Pabst and Eva Gregorova |
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Pubbl/distr/stampa |
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New York, : Nova Science Publishers, c2010 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (90 p.) |
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Collana |
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Nanotechnology science and technology |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Ceramic materials |
Nanocrystals |
Nanostructured materials |
Eutectics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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""PHASE MIXTURE MODELS FOR THE PROPERTIES OF NANOCERAMICS""; ""PHASE MIXTURE MODELS FOR THE PROPERTIES OF NANOCERAMICS ""; ""CONTENTS ""; ""PREFACE ""; ""INTRODUCTION ""; ""PHASE MIXTURE MODELS AND MICROMECHANICAL BOUNDS ""; ""UNIT-CELL GEOMETRIES AND ARRANGEMENT""; ""EFFECTIVE YOUNG�S MODULUS OF ISOTROPIC NANOCRYSTALLINE CERAMICS ""; ""EFFECTIVE THERMAL CONDUCTIVITY OF ISOTROPIC NANOCRYSTALLINE CERAMICS ""; ""EFFECTIVE THERMAL CONDUCTIVITY OF ANISOTROPIC NANOCRYSTALLINE CERAMICS ""; ""CONCLUSION ""; ""ACKNOWLEDGEMENT ""; ""REFERENCES ""; ""INDEX "" |
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Sommario/riassunto |
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The properties of nanocrystalline ceramics are in many respects unique because the grain boundaries, which are in reality discontinuities of small but finite thickness, attain significant volume fractions when the average grain size is below approximately 100 nm. The simplest way to model the grain size dependence of properties consists in considering the nanocrystalline material as a two-phase composite, i.e. as a binary mixture of two separate phases, a crystalline core phase and a disordered, glass-like grain boundary phase. When this viewpoint is adopted, the laws of composite theory can be applied to estimate the effective properties. This book illustrates this method for single-phase |
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ceramic systems with monodisperse grain size by invoking a unit-cell approach using cubic, tetrakaidecahedral and anisometric grain shapes. |
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2. |
Record Nr. |
UNINA9910969890403321 |
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Autore |
Puffett Derrick |
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Titolo |
Derrick Puffett on music / / compiled and edited by Kathryn Bailey Puffett |
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Pubbl/distr/stampa |
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London : , : Routledge, , 2016 |
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ISBN |
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1-351-56973-2 |
1-315-09498-3 |
1-351-56974-0 |
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Descrizione fisica |
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1 online resource (780 pages) : illustrations |
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Disciplina |
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Soggetti |
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Music - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First published 2001 by Ashgate Publishing. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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part PART I: THE ANALYST SPEAKS -- chapter 1 Editorial: In Defence of Formalism -- chapter 2 Schenker's 'Eroica' -- part PART II: LINER AND PROGRAMME NOTES -- chapter 3 Wagner: Overtures and Orchestral Music -- chapter 4 Richard Strauss: Tod und Verkliirung and Don Quixote -- chapter 5 Richard Strauss: Symphonia Domestica and Parergon -- chapter 6 The 'Tawdriness' of Salome -- part PART III: ENGLISH MUSIC -- chapter 7 A Nietzschean Libretto: Delius and the Text for A Mass of Life -- chapter 8 In the Garden of Fand: Arnold Bax and the 'Celtic Twilight' -- chapter 9 The Fugue from Tippett's Second String Quartet -- chapter 10 Tippett and the Retreat from Mythology -- chapter 11. an Analytical Offering (A. G. 1992). On Goehr's Homage to Bach -- part PART IV: RUSSIAN AND FRENCH MUSIC -- chapter 12 A Graphic Analysis of Musorgsky's 'Catacombs' -- chapter 13 Eight Bars of Stravinsky: The Septet Revisited -- chapter 14 Debussy's Ostinato Machine -- part PART V: OPERA -- chapter 15 Siegfried in the Context of Wagner's Operatic Writing -- chapter 16 Schoeck's Operas: A Question of Genre -- chapter 17 Some Reflections onLiteraturoper -- chapter 18 Berg and German Opera -- chapter 19 Salome: an |
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Introduction -- chapter 20 Images of Salome -- chapter 21 Strauss's Scenario for the 'Dance of the Seven Veils' -- chapter 22 Salome as Music Drama -- chapter 23 Elektra: Beginnings -- chapter 24 The Music of Elektra: Some Preliminary Thoughts -- chapter 25 An Introduction to der Rosenkavalier -- part PART VI: VIENNA -- chapter 26 Transcription and Recomposition: The Strange Case of Zemlinsky's Maeterlinck Songs -- chapter 27 A Notational Peculiarity in Early Webem and its Implications -- chapter 28 Gone with the Summer Wmd; or, What Webem Lost -- chapter 29 'Music that Echoes within One' for a Lifetime: Berg's Reception of Schoenberg's Pelleas und Melisande -- chapter THEMATIC ANALYSIS -- chapter EPILOGUE -- chapter 30 Berg, Mahler and the Three Orchestral Pieces, Op. 6 -- part PART VII: GERMAN MUSIC -- chapter 31 'Lasser die Musi, wo sie ist': Pitch Specificity in Strauss -- chapter 32 Bruckner's Way: The Adagio of the Ninth Symphony -- chapter Sources. |
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Sommario/riassunto |
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"'I listen to a piece and ask myself what has made the greatest impression on me. What has moved me the most about it, what has excited me the most, what it is I want to write about, what sets my mind working, what sets off my imagination.' derrick Puffett's description to a group of Cambridge graduate students of his approach to listening and writing about music is clearly evident in the articles reprinted in this collection. For the first time, the book makes available in one place writings previously widely dispersed amongst many journals and symposia. Resonances emerge that cross from essay to essay, with the result that a larger, coherent project is revealed. Insistent on the need of music analysis to be accompanied by a wider historical knowledge, Puffett believed strongly that the methods to be adopted on each occasion must be dictated by the music at hand. His work on Bruckner, Strauss, Webern, Zemlinsky, Delius and Debussy is of enduring importance to the study of music. With a prose style distinguished for its elegance and clarity, Puffett's writings will enhance the understanding and enjoyment of the music that he discusses amongst students and teachers alike."--Provided by publisher. |
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