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1. |
Record Nr. |
UNINA9910968844303321 |
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Autore |
Yosef Raz <1967-> |
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Titolo |
Beyond flesh : queer masculinities and nationalism in Israeli cinema / / Raz Yosef |
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Pubbl/distr/stampa |
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New Brunswick, N.J., : Rutgers University Press, c2004 |
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ISBN |
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0-8135-6640-1 |
9780813535379 |
0-8135-3537-9 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (216 p.) |
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Disciplina |
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Soggetti |
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Motion pictures - Israel |
Masculinity in motion pictures |
Homosexuality in motion pictures |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (p. 173-189) and index. |
Filmography: p. 191-192. |
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Nota di contenuto |
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Intro -- Contents -- Acknowledgments -- Introduction -- Chapter 1: The Zionist Body Master Narrative -- Chapter 2: Cannon Fodder: National Death, Homoeroticism, and Male Masochism in the Military Film -- Chapter 3: The Invention of Mizrahi Masculinity -- Chapter 4: Homoland: Interracial Sex and the Israeli/Palestinian Conflict -- Chapter 5: The New Queers: Sexual Orientation in the Eighties and Nineties -- Notes -- Filmography -- Index -- About the Author. |
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Sommario/riassunto |
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Zionism was not only a political and ideological program but also a sexual one. The liberation of Jews and creation of a new nation were closely intertwined with a longing for the redemption and normalization of the Jewish male body. That body had to be rescued from anti-Semitic, scientific-medical discourse associating it with disease, madness, degeneracy, sexual perversity, and femininityeven with homosexuality. The Zionist movement was intent on transforming the very nature of European Jewish masculinity as it had existed in the diaspora. Zionist/Israeli films expressed this desire through visual and narrative tropes, enforcing the image of the hypermasculine, colonialist-explorer and militaristic nation-builder, an image |
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dependent on the homophobic repudiation of the "feminine" within men. The creation of a new heterosexual Jewish man was further intertwined with attitudes on the breeding of children, bodily hygiene, racial improvement, and Orientalist perspectiveswhich associated the East, and especially Eastern bodies, with unsanitary practices, plagues, disease, and sexual perversity. By stigmatizing Israels Eastern populations as agents of death and degeneration, Zionism created internal biologized enemies, against whom the Zionist society had to defend itself. In the name of securing the life and reproduction of the new Ashkenazi Jewry, Israeli society discriminated against both its internal enemies, the Palestinians, and its own citizens, the Mizrahim (Oriental Jews). Yosefs critique of the construction of masculinities and queerness in Israeli cinema and culture also serves as a model for the investigation of the role of male sexuality within national culture in general. |
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2. |
Record Nr. |
UNINA9910973238903321 |
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Autore |
Suárez Almudena |
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Titolo |
Stability analysis of nonlinear microwave circuits / / Almudena Suarez, Raymond Quere |
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Pubbl/distr/stampa |
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Boston, : Artech House, c2003 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (355 p.) |
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Collana |
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Artech House microwave library |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Microwave circuits |
Electronic circuits |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Stability Analysis of Nonlinear Microwave Circuits; Contents v; Preface xi; Acknowledgments xv; 1 Steady-State Solutions of Nonlinear Circuits 1; 2 Nonlinear Analysis Techniques 61; 3 Local Stability Analysis 117; 4 Bifurcation Analysis of Nonlinear Circuits 177; 5 Global Stability of Microwave Circuits 243; 6 Bifurcaion Routes to Chaos 295; About the Authors 323; Index 325 |
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Sommario/riassunto |
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Annotation "Stability Analysis of Nonlinear Microwave Circuits is essential reading for microwave designers working with circuits based on solid state devices, diodes, and transistors, engineers designing radio-frequency circuits, and professionals regularly involved in any area requiring a functional knowledge of nonlinear oscillations and stability concepts. It provides an in-depth look at the very complex and often unforeseen behavior of nonlinear circuits. The book includes detailed coverage of power amplifiers, voltage-controlled oscillators, frequency dividers, frequency multipliers, self-oscillating mixers, and phased-locked loops."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. |
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3. |
Record Nr. |
UNINA9910974513103321 |
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Autore |
Linville Susan E. (Susan Elizabeth), <1949-> |
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Titolo |
Feminism, film, fascism : women's auto/biographical film in postwar Germany / / Susan E. Linville |
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Pubbl/distr/stampa |
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Austin, : University of Texas Press, 1998 |
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ISBN |
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Edizione |
[1st University of Texas Press ed.] |
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Descrizione fisica |
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1 online resource (208 p.) |
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Disciplina |
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Soggetti |
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Motion pictures - Germany - History |
Women in motion pictures |
Women motion picture producers and directors - Germany |
Motion pictures - Germany - Psychological aspects |
Guilt |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Filmography: p. [171]. |
Includes bibliographical references (p. [173]-188) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Identity Politics of Jutta Brückner;s |
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Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index |
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Sommario/riassunto |
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German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past. |
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