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1. |
Record Nr. |
UNISOBSON0002985 |
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Autore |
Buydens, Mireille |
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Titolo |
L' image dans le miroir / Mireille Buydens |
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Pubbl/distr/stampa |
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Bruxelles : Ante Post, 1998 |
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ISBN |
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Descrizione fisica |
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Collana |
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Collection essais la lettre volée |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910460809003321 |
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Autore |
Cormier Loretta A. |
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Titolo |
The domesticated penis : how womanhood has shaped manhood / / Loretta A. Cormier, Sharyn R. Jones ; cover design Michele Myatt Quinn |
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Pubbl/distr/stampa |
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Tuscaloosa, Alabama : , : The University Alabama Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (252 p.) |
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Disciplina |
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Soggetti |
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Penis |
Penis - Social aspects |
Masculinity |
Men - Sexual behavior |
Women - History |
Sex role - History |
Human evolution |
Feminist archaeology |
Feminist anthropology |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; List of Illustrations; Acknowledgments; 1. The Human Penis: Why Study the Phallus?; 2. The Sexual Penis: The Phallus in Evolutionary Perspective; 3. The Patriarchal Penis: Phallic Cults and the Dawn of Agriculture; 4. The Cultural Penis: Diversity in Phallic Symbolisms; 5. The Erotic-Exotic Penis: Phallic Facts and Fictions; 6. The Domesticated Penis: The Phallus and the Future; Epilogue; Notes; References; Index |
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Sommario/riassunto |
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"The Domesticated Penis is the first anthropological history of the penis, incorporating evidence from evolutionary theory, primatology, archaeology, and cultural anthropology"-- |
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3. |
Record Nr. |
UNINA9910825052803321 |
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Autore |
Rose Charles Brian |
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Titolo |
The archaeology of Greek and Roman Troy / / Charles Brian Rose |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2014 |
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ISBN |
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1-107-50163-6 |
1-139-89010-7 |
1-107-50048-6 |
1-107-50594-1 |
1-107-51364-2 |
1-107-49603-9 |
1-107-51636-6 |
1-107-50328-0 |
1-139-02808-1 |
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Descrizione fisica |
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1 online resource (xv, 406 pages) : illustrations (chiefly color), maps; digital, PDF file(s) |
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Classificazione |
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Disciplina |
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Soggetti |
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Excavations (Archaeology) - Turkey - Troy (Extinct city) |
Troy (Extinct city) |
Turkey Antiquities |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Machine generated contents note: 1. Troy in the Bronze Age; 2. Troy during the Archaic Period; 3. The tombs of the Granicus River Valley: the Polyxena sarcophagus; 4. The tombs of the Granicus River Valley II: the child's sarcophagus; 5. The tombs of the Granicus River Valley III: the Dedetepe tumulus; 6. The tombs of the Granicus River Valley IV: the Çan sarcophagus; 7. Ilion, Athens, and Sigeion during the 5th and 4th centuries B.C.; 8. Ilion in the early Hellenistic period; 9. The West Sanctuary during the Hellenistic period; 10. Late Hellenistic and early imperial Ilion; 11. Ilion from the Flavians to the Byzantines; 12. The concept of Troy after antiquity. |
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Sommario/riassunto |
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The Archaeology of Greek and Roman Troy provides an overview of all excavations that have been conducted at Troy, from the nineteenth century through the latest discoveries between 1988 and the present. Charles Brian Rose traces the social and economic development of the city and related sites in the Troad, as well as the development of its civic and religious centers from the Bronze Age through the early Christian period, with a focus on the settlements of Greek and Roman date. Along the way, he reconsiders the circumstances of the Trojan War and chronicles Troy's gradual development into a Homeric tourist destination and the adoption of Trojan ancestry by most nation-states in medieval Europe. |
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4. |
Record Nr. |
UNINA9910968563203321 |
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Autore |
Howard Christopher <1974-> |
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Titolo |
The Jean Freeman Gallery does not exist / / Christopher Howard |
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Pubbl/distr/stampa |
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Cambridge : , : MIT Press, , 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (413 pages) |
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Disciplina |
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Soggetti |
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Conceptual art - United States |
Art - Documentation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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An examination of a 1970s Conceptual art project--advertisements for fictional shows by fictional artists in a fictional gallery--that hoodwinked the New York art world. From the summer of 1970 to March 1971, advertisements appeared in four leading art magazines-- Artforum , Art in America , Arts Magazine, and ARTnews --for a group show and six solo exhibitions at the Jean Freeman Gallery at 26 West Fifty-Seventh Street, in the heart of Manhattan's gallery district. As gallery goers soon discovered, this address did not exist -- the street numbers went from 16 to 20 to 24 to 28--and neither did the art supposedly exhibited there. The ads were promoting fictional shows by fictional artists in a fictional gallery. The scheme, eventually exposed by a New York Times reporter, was concocted by the artist Terry Fugate-Wilcox as both work of art and critique of the art world. In this book, Christopher Howard brings this forgotten Conceptual art project back into view. Howard demonstrates that Fugate-Wilcox's project was an exceptionally clever embodiment of many important aspects of Conceptualism, incisively synthesizing the major aesthetic issues of its time--documentation and dematerialization, serialism and process, text and image, publishing and publicity. He puts the Jean Freeman Gallery in the context of other magazine-based work by Mel Bochner, Judy Chicago, Yoko Ono, and Ed Ruscha, and compares the fictional |
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artists' projects with actual Earthworks by Walter De Maria, Peter Hutchinson, Dennis Oppenheim, and more. Despite the deadpan perfection of the Jean Freeman Gallery project, the art establishment marginalized its creator, and the project itself was virtually erased from art history. Howard corrects these omissions, drawing on deep archival research, personal interviews, and investigation of fine-printed clues to shed new light on a New York art world mystery. |
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