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Record Nr. |
UNINA9910779112303321 |
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Autore |
Zegart Amy B. <1967-> |
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Titolo |
Eyes on spies [[electronic resource] ] : Congress and the United States intelligence community / / by Amy B. Zegart |
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Pubbl/distr/stampa |
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Stanford, Calif., : Hoover Institution Press, 2011 |
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ISBN |
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0-8179-1288-6 |
0-8179-1286-X |
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Descrizione fisica |
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1 online resource (145 p.) |
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Collana |
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Hoover Institution Press publication ; ; no. 603 |
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Disciplina |
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Soggetti |
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Intelligence service - United States |
Legislative oversight - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- What does good oversight look like, anyway? -- Goldilocks and the intelligence oversight literature -- Policemen, firefighters, and spooks: how oversight varies across policy domains -- Oversight weapons gone weak: expertise and budgetary authority -- Conclusion. |
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Sommario/riassunto |
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Amy Zegart examines the weaknesses of US intelligence oversight and why those deficiencies have persisted, despite the unprecedented importance of intelligence in today's environment. She argues that many of the biggest oversight problems lie with Congress?the institution, not the parties or personalities?showing how Congress has collectively and persistently tied its own hands in overseeing intelligence. |
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2. |
Record Nr. |
UNINA9910968209403321 |
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Autore |
Kershaw Baz |
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Titolo |
Research methods in theatre and performance / / Baz Kershaw and Helen Nicholson |
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Pubbl/distr/stampa |
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Edinburgh : , : Edinburgh University Press, , 2011 |
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ISBN |
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9786613133250 |
9781283133258 |
1283133253 |
9780748646081 |
0748646086 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 recurso en línea (257 páginas) |
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Collana |
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Research Methods for the Arts and Humanities |
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Disciplina |
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Soggetti |
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Artes escénicas |
Teatro |
Metodología |
Investigación |
Libros electrónicos |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover; Copyright; Contents; Acknowledgements; List of Figures; Introduction: Doing Methods Creatively; chapter 1 The Imperative of the Archive: Creative Archive Research; chapter 2 Researching Digital Performance: Virtual Practices; chapter 3 Practice as Research: Transdisciplinary Innovation in Action; chapter 4 Researching Theatre History and Historiography; chapter 5 Researching Scenography; chapter 6 Performer Training: Researching Practice in the Theatre Laboratory; chapter 7 The Question of Documentation: Creative Strategies in Performance Research; chapter 8 The Usefulness of Mess: Artistry, Improvisation and Decomposition in the Practice of Research in Applied Theatrechapter 9 Researching the Body in/as Performance; Notes on Contributors; Index. |
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Sommario/riassunto |
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Key Features Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by |
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specialist groupings.Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets.Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary.Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth). |
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