|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910967326203321 |
|
|
Autore |
Tymoczko Dmitri <1969-> |
|
|
Titolo |
A geometry of music : harmony and counterpoint in the extended common practice / / Dmitri Tymoczko |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, : Oxford University Press, 2011 |
|
|
|
|
|
|
|
ISBN |
|
1-283-02052-1 |
9786613020529 |
0-19-971435-5 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (469 p.) |
|
|
|
|
|
|
Collana |
|
Oxford studies in music theory |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Harmony |
Counterpoint |
Musical analysis |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
pt. 1. Theory -- pt. 2. History and analysis. |
|
|
|
|
|
|
Sommario/riassunto |
|
Most listeners prefer tonal music to atonal music, but what exactly is the difference between them? In this groundbreaking work, author Dmitri Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. Tymoczko creates for the reader a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz. A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to musi |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910958742803321 |
|
|
Autore |
Vallotton Félix <1865-1925.> |
|
|
Titolo |
[Best of] [[electronic resource] ] Félix Vallotton : der Fremde Nabi / / Nathalia Brodskaïa ; [Redaktion der deutschen Ausgabe, Klaus H. Carl] |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, : Parkstone International, [2013] |
|
|
|
|
|
|
|
ISBN |
|
1-78042-742-5 |
1-78310-179-2 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (190 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Altri autori (Persone) |
|
Brodskai͡aN. V (Natalʹi͡a Valentinovna) |
CarlKlaus H |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Intro -- Inhalt -- Einleitung -- Ein talentierter Künstler -- Die Nabis und Gravurarbeiten -- Erstes Zusammentreffen mit den Nabis -- Gravurarbeiten -- Der Wendepunkt in Vallottons Werdegang -- Der Wendepunkt in Valottons Werdegang -- Die Rückkehr zur Malerei -- Seine letzten Lebensjahre -- Vallottons Frauen -- Gravuren -- Bibliografie -- Abbildungsverzeichnis. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Félix Vallotton (1865-1925) war ein französischer Künstler der Jahrhundertwende, dessen Werke bürgerliche Konventionen hinterfragten und den Geschlechterkampf thematisierten. In kühl konstruierten Kulissen findet sich eine ästhetische Provokation, die sich die Moderne zum Vorbild nehmen sollte. Die Aufmerksamkeit seiner Zeitgenossen hatte Vallotton jedoch seinen von der japanischen Kunst inspirierten, bemerkenswert elegant komponierten Holzschnitten zu verdanken. |
|
|
|
|
|
|
|