1.

Record Nr.

UNISALENTO991000666059707536

Autore

Bloch, Raymond

Titolo

L'epigraphie latine / par Raymond Bloch

Pubbl/distr/stampa

Paris : Presses universitaires de France, 1952

Descrizione fisica

110 p. ; 18 cm

Collana

Que sais-je?

Disciplina

471.7

Soggetti

Epigrafia latina

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910967136603321

Autore

Sontag Susan <1933-2004.>

Titolo

Susan Sontag : the complete Rolling Stone interview / / Jonathan Cott

Pubbl/distr/stampa

New Haven : , : Yale University Press, , 2013

ISBN

9780300199024

0300199023

9780300190809

0300190808

Edizione

[1st ed.]

Descrizione fisica

1 online resource (169 p.)

Altri autori (Persone)

CottJonathan

Disciplina

818.54

Soggetti

Authors, American - 20th century

Motion picture producers and directors - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di contenuto

Front matter -- Contents -- Preface -- The Complete Rolling Stone Interview with Susan Sontag -- Acknowledgments -- Index -- About



the Author

Sommario/riassunto

"One of my oldest crusades is against the distinction between thought and feeling, which is really the basis of all anti-intellectual views: the heart and the head, thinking and feeling, fantasy and judgment . . . and I don't believe it's true. . . . I have the impression that thinking is a form of feeling and that feeling is a form of thinking." Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. Now, more than three decades later, Yale University Press is proud to publish the entire transcript of Sontag's remarkable conversation, accompanied by Cott's preface and recollections.   Sontag's musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. Nearly a decade after her death, these hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist." "I really believe in history, and that's something people don't believe in anymore. I know that what we do and think is a historical creation. . . .We were given a vocabulary that came into existence at a particular moment. So when I go to a Patti Smith concert, I enjoy, participate, appreciate, and am tuned in better because I've read Nietzsche." "There's no incompatibility between observing the world and being tuned into this electronic, multimedia, multi-tracked, McLuhanite world and enjoying what can be enjoyed. I love rock and roll. Rock and roll changed my life. . . .You know, to tell you the truth, I think rock and roll is the reason I got divorced. I think it was Bill Haley and the Comets and Chuck Berry that made me decide that I had to get a divorce and leave the academic world and start a new life."