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1. |
Record Nr. |
UNISA996391003003316 |
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Autore |
Foster Henry |
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Titolo |
A true and exact relation of the marchings of the two regiments of the trained-bands of the city of London [[electronic resource] ] : being the red & blew regiments, as also of the three regiments of the auxiliary forces, the blew, red, and orange who marched forth for the reliefe of the city of Glocester from August 23 to Sept. 28. wherein the most materiall passages of every dayes marchings are briefly delineated. As also a true description of the severall battells and skirmishes had against the enemy at Stow the old Sept. 4 at Aburne Chase September 18, and at Newbery Septem. 20. Set forth for the satisfaction of many who earnestly desired information herein. / / By Henry Foster, quondam Serjant to Cap. George Mosse |
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Pubbl/distr/stampa |
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London, : Printed for Benjamin Allen in Popes-head-Alley., Octob. 2, 1643 |
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Descrizione fisica |
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Soggetti |
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Newbury (England) History Early works to 1800 |
Gloucester (England) History Siege, 1643 |
Great Britain History Civil War, 1642-1649 Campaigns Early works to 1800 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910966477903321 |
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Autore |
Williams Anne <1947-> |
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Titolo |
Art of darkness : a poetics of Gothic / / Anne Williams |
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Pubbl/distr/stampa |
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Chicago, : University of Chicago Press, 1995 |
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ISBN |
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9786612070273 |
9781282070271 |
1282070274 |
9780226899039 |
0226899039 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (325 p.) |
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Disciplina |
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Soggetti |
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English literature - 18th century - History and criticism - Theory, etc |
English literature - 19th century - History and criticism - Theory, etc |
Horror tales, English - History and criticism - Theory, etc |
Gothic revival (Literature) - Great Britain |
Romanticism - Great Britain |
Poetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 285-300) and index. |
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Nota di contenuto |
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Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION. Gothic Fiction's Family Romances -- Part One. Riding Nightmares; or, What's Novel about Gothic? -- Part Two. Reading Nightmeres; or, The Two Gothic Traditions -- EPILOGUE. The Mysteries of Enlightenment; or Dr. Freud's Gothic Novel -- APPENDIX A. Inner and Outer Spaced The Alien Trilogy -- APPENDIX B. Gothic Families -- APPENDIX C. The Female Plot of Ghotic Fiction -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Art of Darkness is an ambitious attempt to describe the principles governing Gothic literature. Ranging across five centuries of fiction, drama, and verse-including tales as diverse as Horace Walpole's The Castle of Otranto, Shelley's Frankenstein, Coleridge's The Rime of the Ancient Mariner, and Freud's The Mysteries of Enlightenment-Anne Williams proposes three new premises: that Gothic is "poetic," not novelistic, in nature; that there are two parallel Gothic traditions, Male |
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and Female; and that the Gothic and the Romantic represent a single literary tradition. Building on the psychoanalytic and feminist theory of Julia Kristeva, Williams argues that Gothic conventions such as the haunted castle and the family curse signify the fall of the patriarchal family; Gothic is therefore "poetic" in Kristeva's sense because it reveals those "others" most often identified with the female. Williams identifies distinct Male and Female Gothic traditions: In the Male plot, the protagonist faces a cruel, violent, and supernatural world, without hope of salvation. The Female plot, by contrast, asserts the power of the mind to comprehend a world which, though mysterious, is ultimately sensible. By showing how Coleridge and Keats used both Male and Female Gothic, Williams challenges accepted notions about gender and authorship among the Romantics. Lucidly and gracefully written, Art of Darkness alters our understanding of the Gothic tradition, of Romanticism, and of the relations between gender and genre in literary history. |
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