| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA990009132330403321 |
|
|
Autore |
Salzano, Amedeo |
|
|
Titolo |
Le rilevazioni aziendali come strumento di controllo del processo produttivo e distributivo |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Catania : Tip. dell'Universita, 1959 |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Locazione |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
In testa al front.: Universita degli studi di Catania, Facolta di economia e commercio |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910966462403321 |
|
|
Autore |
Birchard Robert S |
|
|
Titolo |
Cecil B. DeMille's Hollywood / / Robert S. Birchard ; with a foreword by Kevin Thomas |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Lexington, : University Press of Kentucky, c2004 |
|
|
|
|
|
|
|
ISBN |
|
9786613327048 |
9780813138299 |
0813138299 |
9781283327046 |
128332704X |
9780813126364 |
0813126363 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (496 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures - United States - History |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Cecil B. DeMille's Hollywood; Title; Copyright; For Grace Houghton who kept the faith; Contents; Foreword, by Kevin Thomas; Preface; 1. The Squaw Man; 2. The Virginian; 3. The Call of the North; 4. What's-His-Name; 5. The Man From Home; 6. The Rose of the Rancho; 7. The Girl of the Golden West; 8. The Warrens of Virginia; 9. The Unafraid; 10. The Captive; 11. The Wild Goose Chase; 12. The Arab; 13. Chimmie Fadden; 14. Kindling; 15. Maria Rosa; 16. Carmen; 17. Temptation; 18. Chimmie Fadden Out West; 19. The Cheat; 20. The Golden Chance; 21. The Trail of the Lonesome Pine |
22. The Heart of Nora Flynn 23. The Dream Girl; 24. Joan the Woman; 25. A Romance of the Redwoods; 26. The Little American; 27. The Woman God Forgot; 28. The Devil Stone; 29. The Whispering Chorus; 30. Old Wives for New; 3 1. We Can't Have Everything; 32. Till I Come Back to You; 33. The Squaw Man (first remake); 34. Don't Change Your Husband; 35. For Better, For Worse; 36. Male and Female; 37. Why Change Your Wife?; 38. Something to Think About; 39. Forbidden Fruit; 40. The Affairs of Anatol; 41. Fool's Paradise; 42. Saturday Night; 43. |
|
|
|
|
|
|
|
|
|
|
|
Manslaughter; 44. Adam's Rib; 45. The Ten Commandments |
46. Triumph 47. Feet of Clay; 48. The Golden Bed; 49. The Road to Yesterday; 50. The Volga Boatman; 51. The King of Kings; 52. The Godless Girl; 53. Dynamite; 54. Madam Satan; 55. The Squaw Man (second remake); 56. The Sign of the Cross; 57. This Day and Age; 58. Four Frightened People; 59. Cleopatra; 60. The Crusades; 61. The Plainsman; 62. The Buccaneer; 63. Union Pacific; 64. North West Mounted Police; 65. Reap the Wild Wind; 66. The Story of Dr. Wassell; 67. Unconquered; 68. Samson and Delilah; 69. The Greatest Show on Earth; 70. The Ten Commandments; Appendices; Appendix A |
DeMille Pictures, Inc., Costs and Grosses Appendix B; Other Cecil B. DeMille Film Credits; Appendix C; Unrealized Projects; Appendix D; Film Appearances by Cecil B. DeMille; Notes; Bibliography; Index; Illustrations follow 1; Illustrations follow 2; Illustrations follow 3 |
|
|
|
|
|
|
Sommario/riassunto |
|
"" """"Far and away the best film book published so far this year.""""--National Board of Review Cecil B. DeMille was the most successful filmmaker in early Hollywood history. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of the screen work that changed the course of film history and a fascinating look at how movies were actually made in Hollywood's Golden Age. Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille's legendary |
|
|
|
|
|
|
|
| |