1.

Record Nr.

UNICASSBL0338217

Autore

Borgonovi, Elio

Titolo

L'impresa pubblica / Elio Borgonovi

Pubbl/distr/stampa

Milano, : A. Giuffre, 1979

Descrizione fisica

VIII, 351 p. ; 24 cm .

Collana

Università degli studi di Parma, Istituto di ricerche aziendali Gino Zappa , . Ser. Quaderni ; 6

Soggetti

Diritto commerciale

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910966351603321

Autore

Wright Matthew (Matthew Ephraim)

Titolo

Euripides : Orestes / Matthew Wright

Pubbl/distr/stampa

London, : Bloomsbury, 2008

ISBN

9781472521255

1472521250

9781472539786

1472539788

9781472521262

1472521269

Edizione

[1st ed.]

Descrizione fisica

1 online resource (177 p.)

Collana

Companions to Greek and Roman tragedy

Disciplina

882.01

Soggetti

Greek drama (Tragedy)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index

Nota di contenuto

Cover; Contents; Preface; 1. Setting the Scene; 2. Dramatic Structure



and Performance; 3. Humans and Gods; 4. Late Euripides; 5. Politics; 6. Euripides' Cleverest Play; Notes; Guide to Further Reading; Bibliography; Glossary; A; D; E; F; G; H; I; K; L; M; O; P; S; T; Chronology; Index; A; B; C; D; E; F; G; H; I; L; M; N; O; P; R; S; T; V; Z

Sommario/riassunto

"'Orestes' was one of Euripides' most popular plays in antiquity. Its plot, which centres on Orestes' murder of his mother Clytemnestra and its aftermath, is exciting as well as morally complex; its presentation of madness is unusually intense and disturbing; it deals with politics in a way which has resonances for both ancient and modern democracies; and, it has a brilliantly unexpected and ironic ending. Nevertheless, 'Orestes' is not much read or performed in modern times. Why should this be so? Perhaps it is because 'Orestes' does not conform to modern audiences' expectations of what a 'Greek tragedy' should be. This book makes 'Orestes' accessible to modern readers and performers by explicitly acknowledging the gap between ancient and modern ideas of tragedy. If we are to appreciate what is unusual about the play, we have to think in terms of its impact on its original audience. What did they expect from a tragedy, and what would they have made of 'Orestes'?"--Bloomsbury Publishing

"Orestes" was one of Euripides' most popular plays in antiquity. Its plot, which centres on Orestes' murder of his mother Clytemnestra and its aftermath, is exciting as well as morally complex; its presentation of madness is unusually intense and disturbing; it deals with politics in a way which has resonances for both ancient and modern democracies; and, it has a brilliantly unexpected and ironic ending. Nevertheless, "Orestes" is not much read or performed in modern times. Why should this be so? Perhaps it is because "Orestes" does not conform to modern audiences' expectations of what a 'Greek tragedy' should be. This book makes "Orestes" accessible to modern readers and performers by explicitly acknowledging the gap between ancient and modern ideas of tragedy. If we are to appreciate what is unusual about the play, we have to think in terms of its impact on its original audience. What did they expect from a tragedy, and what would they have made of "Orestes"?