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Record Nr. |
UNINA9910966225703321 |
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Autore |
Brodskai︠a︡ N. V (Natalʹi︠a︡ Valentinovna) |
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Titolo |
Impressionism / / Nathalia Brodskaïa |
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Pubbl/distr/stampa |
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New York, : Parkstone International, [2012?] |
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ISBN |
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9781283952422 |
1283952424 |
9781780428017 |
1780428014 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (255 pages) : color illustrations |
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Collana |
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Art of century collection |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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CONTENTS; PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX |
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Sommario/riassunto |
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"Ipaint what I see and not what it pleases others to see." What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent |
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