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1. |
Record Nr. |
UNINA990008694210403321 |
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Autore |
Biasutti, Renato <1878-1965> |
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Titolo |
Il Tibet : secondo una vecchia relazione italiana / Biasutti Renato |
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Pubbl/distr/stampa |
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Firenze : La Nuova Italia, 1904 |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Estr. da: Archivio per l'Antropologia e l'Etnologia, 1904, v. XXXIV, fasc. 3 |
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2. |
Record Nr. |
UNINA9910966173303321 |
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Titolo |
A cultural history of the avant-garde in the Nordic countries 1925-1950 / edited by Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Orum |
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Pubbl/distr/stampa |
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Leiden ; ; Boston : , : Brill Rodopi, , [2018] |
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ISBN |
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Descrizione fisica |
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1 online resource (992 pages) |
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Collana |
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Avant-garde critical studies ; ; 36 |
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Disciplina |
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Soggetti |
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Avant-garde (Aesthetics) - Scandinavia - History - 20th century |
Arts, Scandinavian - History - 20th century |
Popular culture - Scandinavia - History - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Front Matter -- Copyright Page -- Preface -- Notes on Contributors -- Cosiness and Subversion – From Post-Cubism to Functionalism and “Scandinavian Surrealism” / Benedikt Hjartarson -- Paradigmatic Cases -- Introduction to Section 1 / Andrea Kollnitz -- Viking Eggeling and European Avant-Garde Cinema / Malte Hagener and Yvonne Zimmermann -- For Our Own Time – Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 1930 / Andrea Kollnitz -- The Kjersmeier Collection of African Art, the Danish Avant-Garde and the Construction of Photographic Meaning / Wendy A. Grossman -- Alvar Aalto around 1930 – Between Modernism and the Avant-Garde / Eeva-Liisa Pelkonen -- Asger Jorn and Cobra – A Many-Headed Beast / Karen Kurczynski -- Legacies and New Directions -- Introduction to Section 2 / Benedikt Hjartarson -- Quosego – Final Blow, Starting Shot / Fredrik Hertzberg -- Surrealism in Denmark – Vilhelm Bjerke-Petersen’s Book Surrealismen, 1934 / Camilla Skovbjerg Paldam -- “Everybody must participate in everything” – Cross-Aesthetic Practices in and around the Danish Magazine linien (1934–1939) / Marianne Ølholm -- The Reception of the Halmstad Group in the 1930s / Helen Fuchs -- Smile at the World, and It Will Laugh at You – Helhesten’s Folkelig Avant-Garde / Kerry Greaves -- The Birth of a Vanguard – Icelandic Art 1940–1950 / Aðalsteinn Ingólfsson -- Scandinavian Women Artists and the Académie Moderne – Abstraction, Gender and the Nordic / Dorthe Aagesen -- Universal Language on National Ground – Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930 / Andrea Kollnitz -- Linien ii – A Local Avant-Garde Formation in Postwar Denmark / Jens Tang Kristensen -- Transmissions, Appropriations and Responses -- Introduction to Section 3 / Andrea Kollnitz and Harri Veivo -- To France with Love – Surrealism, Schadism, Situationism and Jens August Schade / Per Stounbjerg -- A Nordic Verfremdung – Bertolt Brecht’s Exile in Denmark, Sweden and Finland 1933–1941 / Rikard Schönström -- Merz in the Mountains: Peripheral Art in a Peripheral Landscape – On Kurt Schwitters’s Norwegian Exile and Artistic Production in Møre og Romsdal, 1937–1940 / Hubert van den Berg -- Rita Kernn-Larsen – An International Surrealist Career / Ulla Angkjær Jørgensen -- From Bauhaus to Bispebjerg – Edvard Heiberg and the Social Avant-Garde / Nan Dahlkild -- Corporeal Aesthetics – Primitivism and the Reception of African American Performing Arts around 1930 / Karen Vedel -- Trajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922–1939 / Harri Veivo -- Institutional Settings -- Introduction to Section 4 / Per Stounbjerg -- How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde / Michael Fjeldsøe -- The Engineer and the Avant-Garde – Concrete Artists in Sweden / Linda Fagerström -- Arne Korsmo, PAGON and “Meccano for the Home” / Espen Johnsen -- State-Controlled Avant-Garde? – Emil Bønnelycke’s Radiophonic Portrait of Copenhagen / Jacob Kreutzfeldt -- Nyrki Tapiovaara – Between Avant-Garde and Mainstream Cinema / Kimmo Laine. |
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Sommario/riassunto |
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A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international |
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developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war. |
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3. |
Record Nr. |
UNINA9910967990203321 |
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Autore |
Merrill Heather |
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Titolo |
An alliance of women : immigration and the politics of race / / Heather Merrill |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, c2006 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (290 p.) |
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Disciplina |
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Soggetti |
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Feminism - Italy |
Women, Black - Italy - Social conditions |
Women immigrants - Italy - Turin |
Feminism - International cooperation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 219-236) and index. |
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Nota di contenuto |
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Introduction: immigration and the spatial politics of scale -- The spatial politics of race and gender -- Alma Mater: the architecture of an interethnic social politics -- Limiting the laboring: industrial restructuring and the new migration -- Extracomunitari in post-Fordist Turin -- Race, politics, and protest in the Casbah, or San Salvario, Africa -- Turin feminism: from workerism to interethnic gender alliance -- Making Alma Mater: gender, race, and other differences -- Conclusion: speaking subjects -- Epilogue: gender and globalization at the G8 in Genoa, July 2001. |
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Sommario/riassunto |
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Heather Merrill investigates how migrants and Northern Italians struggle over meanings and negotiate social and cultural identities. Using rich ethnographic material, Merrill traces the emergence of Alma MaterÑan anti-racist organization formed to address problems encountered by migrant women. Through this analysis, she reveals the dynamics of an alliance consisting of women from many countries of origin and religious and class backgrounds. |
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