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Record Nr. |
UNINA9910966006203321 |
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Autore |
Scott Michelle R. <1974-> |
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Titolo |
Blues empress in black Chattanooga : Bessie Smith and the emerging urban South / / Michelle R. Scott |
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Pubbl/distr/stampa |
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Urbana, : University of Illinois Press, c2008 |
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ISBN |
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1-283-58315-1 |
9786613895608 |
0-252-09237-6 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (218 p.) |
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Disciplina |
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Soggetti |
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Singers - United States |
Blues (Music) - Tennessee - Chattanooga - History and criticism |
African Americans - Tennessee - Chattanooga - History |
Chattanooga (Tenn.) History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [173]-191) and index. |
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Nota di contenuto |
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Introduction: uncovering the life of a blues woman -- Beyond the contraband camps: Black Chattanooga from the Civil War to 1880 -- The freest town on the map: Black migration to new south Chattanooga -- The empress's playground: Bessie Smith and Black childhood in the urban South -- Life on Big Ninth Street: the emerging blues culture in Chattanooga -- An empress in vaudeville: Bessie Smith on the theater circuit. |
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Sommario/riassunto |
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As one of the first African American vocalists to be recorded, Bessie Smith is a prominent figure in American popular culture and African American history. Michelle R. Scott uses Smith's life as a lens to investigate broad issues in history, including industrialization, Southern rural to urban migration, black community development in the post-emancipation era, and black working-class gender conventions. _x000B__x000B_Arguing that the rise of blues culture and the success of female blues artists like Bessie Smith are connected to the rapid migration and industrialization in the late nineteenth and early twentieth centuries, Scott focuses her analysis on Chattanooga, |
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