1.

Record Nr.

UNINA9910965275003321

Autore

Ahad Badia Sahar

Titolo

Freud upside down : African American literature and psychoanalytic culture / / Badia Sahar Ahad

Pubbl/distr/stampa

Urbana, : University of Illinois Press, c2010

ISBN

9786613028693

9781283028691

1283028697

9780252090004

0252090004

Edizione

[1st ed.]

Descrizione fisica

1 online resource (215 p.)

Collana

The new Black studies series

Classificazione

18.06

Disciplina

810/.9352996073019

Soggetti

American literature - African American authors - History and criticism

African Americans in literature

Psychology in literature

Psychoanalysis in literature

Race in literature

Race - Psychological aspects

African Americans - Psychology

Psychoanalysis and literature - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction -- The politics and production of interiority in the Messenger magazine (1922-23) -- The anxiety of birth in Nella Larsen's Quicksand -- Art's imperfect end: race and Gurdjieff in Jean Toomer's Transatlantic -- "A genuine cooperation": Richard Wright's and Ralph Ellison's psychoanalytic conversations -- Maternal anxieties and political desires in Adrienne Kennedy's Dramatic circle -- Racial sincerity and the biracial body in Danzy Senna's Caucasia.

Sommario/riassunto

This thought-provoking cultural history explores how psychoanalytic theories shaped the works of important African American literary figures. Badia Sahar Ahad details how Nella Larsen, Richard Wright, Jean Toomer, Ralph Ellison, Adrienne Kennedy, and Danzy Senna employed



psychoanalytic terms and conceptual models to challenge notions of race and racism in twentieth-century America. Freud Upside Down explores the relationship between these authors and intellectuals and the psychoanalytic movement emerging in the United States over the course of the twentieth century. Examining how psychoanalysis has functioned as a cultural phenomenon within African American literary intellectual communities since the 1920s, Ahad lays out the historiography of the intersections between African American literature and psychoanalysis and considers the creative approaches of African American writers to psychological thought in their work and their personal lives.