| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910965254403321 |
|
|
Autore |
Maurice Alice |
|
|
Titolo |
Cinema and Its Shadow : Race and Technology in Early Cinema |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Minneapolis, : University of Minnesota Press, 2013 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (282 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Minorities in motion pictures |
Motion picture industry -- Technological innovations |
Race in motion pictures |
Minorities in motion pictures - Technological innovations |
Motion picture industry |
Music, Dance, Drama & Film |
Film |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di contenuto |
|
""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction: Embodying Cinema""; ""Chapter 1: Performing Body, Performing Image: Race and the Boundaries of Early Cinematic Narrative""; ""Chapter 2: Face, Race, and Screen: Close-ups and the Transition to the Feature Film""; ""Chapter 3: Recasting Shadows: Race, Image, and Audience""; ""Chapter 4: “Cinema at Its Source�: Synchronizing Race and Sound in the Early Talkies""; ""Conclusion: Red, White, and Blue: Digital Cinema, Race, and Avatar""; ""Notes""; ""Filmography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H"" |
""I""""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition.In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of. |
|
|
|
|
|
|
|
| |