| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910493734903321 |
|
|
Autore |
Geitner Philipp |
|
|
Titolo |
Anachronismus und Aktualisierung in Ovids ›Metamorphosen‹ : Eine Ästhetik uneigentlicher Zeitlichkeit / / Philipp Geitner |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berlin : , : De Gruyter, , 2021 |
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (x, 398 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
So vielfältig und zahlreich zeitliche Inkonsistenzen in Ovids "Metamorphosen" sind, so unscharf und divers ist auch das Bild, das sich in bisherigen Deutungen zu diesen oft Anachronismen genannten Textphänomenen zeigt. In dieser Arbeit wird anhand fiktions- und sprachtheoretischer Überlegungen eine systematische Neubewertung unternommen, die der ambitionierten Ästhetik des Gedichts sowohl theoretisch als auch textanalytisch Rechnung trägt. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910965131003321 |
|
|
Titolo |
Art and the performance of memory : sounds and gestures of recollection / / edited by Richard Candida Smith |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, : Routledge, 2002 |
|
|
|
|
|
|
|
ISBN |
|
1-134-47113-0 |
0-415-27796-5 |
1-134-47114-9 |
1-280-19527-4 |
0-203-22023-4 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (xiv, 290 p. ) : ill., ports |
|
|
|
|
|
|
Collana |
|
Routledge studies in memory and narrative ; ; 10 |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Memory in art |
Arts, Modern - 20th century |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
1. Richard Candida Smith Introduction: Performing the Archive 2. Warren Linds, Alejandra Medellin and Kadi Purru Resonating Testimonies from/in the Space of Death: Performing Buenaventura's La Maestra 3. Stephanie Marlin-Curiel Truth and Consequences: Art in Response to the Truth and Reconciliation Commission 4. Anne Rutherford Precarious Boundaries: Affect, Mise-en-scene, and the Senses 5. Elvan Zabunyan Stratum and Resonance: Displacement in the Work of Renee Green 6. David Michalski Cities Memory Voices Collage 7. Paul Karlstrom Eros in the Studio 8. Jeff Friedman Muscle Memory: Performing Embodied Knowledge 9. Ryan Snyder 'Hope...Teach, Yaknowhati'masyin': Freestylin Knowledge through Detroit Hiphop 10. Richard Candida Smith Les Gammes: Making Visible to Representative Modern Man 11. Ana Maria Mauad Composite Past: Photography and Family Memories in Brazil (1850-1950) 12. Lizzetta LeFalle-Collins Memories of Mammy 13. Ivy Schroeder Official Art, Official Publics: Public Sculpture under the Federal Art-in-Architecture Program since 1972 14. Iain Borden and Jane Rendell Private Reflections/Public Matters: Public Art in the City |
|
|
|
|
|
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This work investigates the role that the visual and performing arts play in our experience and understanding of the past. Contributors are drawn from a range of backgrounds, including art and architectural history, film, theatre and performance studies, social and cultural history. |
|
|
|
|
|
|
|
| |