| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA990000738210203316 |
|
|
Titolo |
Arte da pintura : symmetria, e perspectiua : composta por Philippe Nunes natural de Villa Real : fac-simile da ediçao de 1615 / com um estudo introduttório de Leontina Ventura |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Porto : Editorial Paisagem, 1982 |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Letteratura e arte - Sec.17.-18 |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Ripr. facs. dell'ed.: Lisboa, por Pedro Crasbeeck, 1615 |
|
|
|
|
|
|
2. |
Record Nr. |
UNISA996282848603316 |
|
|
Titolo |
Case reports in pancreatic cancer |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New Rochelle, NY : , : Mary Ann Liebert, Inc., , [2015-2016] |
|
|
|
|
|
|
|
ISSN |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Pancreas - Cancer |
Pancreatic Neoplasms |
Case Reports. |
Fulltext |
Internet Resources. |
Periodicals. |
Periodical |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Periodico |
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910964028303321 |
|
|
Autore |
Cecchetto David |
|
|
Titolo |
Humanesis : sound and technological posthumanism |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[Place of publication not identified], : University of Minnesota Press, 2013 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (222 pages) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Technology - Philosophy - 20th century |
Technology - Social aspects |
Humanism - History |
Engineering & Applied Sciences |
Technology - General |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
Nota di contenuto |
|
Cover -- Contents -- Acknowledgments -- Introduction: Posthumanism(s) -- PART I -- 1. From Genes to Memes: Ollivier Dyens and the Scientific Posthumanism of Darwinian Evolution -- 2. Dark Matters: An Eidolic Collision of Sound and Vision -- PART II -- 3. N. Katherine Hayles and Humanist Technological Posthumanism -- 4. The Trace: Melancholy and Posthuman Ethics -- PART III -- 5. From Affect to Affectivity: Mark B. N. Hansen's Organismic Posthumanism -- 6. Skewed Remote Musical Performance: Sounding Deconstruction -- Conclusion. Registration as Intervention: Performativity and Dominant Strains of Technological Posthumanism -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human-technology coupling is explained and interrogating three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto's investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. |
|
|
|
|
|
|
|
| |