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1. |
Record Nr. |
UNISA996199193103316 |
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Titolo |
Didaskalia : ancient theater today |
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Pubbl/distr/stampa |
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[Hobart], : University of Tasmania, 1994- |
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Coventry, U.K., : University of Warwick |
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Lynchburg, Va., : Randolph College |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Greek drama - Modern presentation - History and criticism |
Greek drama - Modern presentation |
Théâtre grec - Production et mise en scène modernes - Histoire et critique |
Criticism, interpretation, etc. |
Periodicals. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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Note generali |
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Refereed/Peer-reviewed |
"An English-language publication about Greek and Roman drama, dance, and music as they are performed today." |
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2. |
Record Nr. |
UNINA9910963540903321 |
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Autore |
Riat Georges |
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Titolo |
Gustave Courbet / / George Riat |
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Pubbl/distr/stampa |
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New York, : Parkstone International, 2012 |
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ISBN |
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9781283958202 |
1283958201 |
9781780429908 |
1780429908 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (255 pages) : illustrations |
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Collana |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Contents; Introduction: Childhood and Youth in Ornans and Besançon; I. The Beginnings; Paris and the First Salons; The First Exhibitions in Paris; The First Successes of Realism; Courbet's First Successes; Courbet as a Socialist Painter; The two others works went more or less unnoticed.; II. Glory; Courbet: the Centre of Controversy; The Controversy surrounding Realism; III. Decline; The Beginning of the End; The Case of The Woman with the Parrot; Courbet under the Commune; The Fall; The Arrest; Conclusion: Death of a Master; Chronology; List of Illustrations |
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Sommario/riassunto |
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Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism. This text on Courbet is the result of years of intensive research and traces with great care contradictory testimonies, the praises as well as the negative critics this controversial painter had during his times. By his precision as an art historian, Georges Riat sheds |
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