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Record Nr. |
UNINA9910779453603321 |
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Titolo |
The handbook of work analysis : methods, systems, applications and science of work measurement in organizations / / edited by Mark A. Wilson. [et al.] |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2012 |
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ISBN |
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1-136-48683-6 |
0-203-13632-2 |
1-283-88415-1 |
1-136-48684-4 |
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Descrizione fisica |
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1 online resource (795 p.) |
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Collana |
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Series in applied psychology |
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Altri autori (Persone) |
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WilsonMark A <1952-> (Mark Alan) |
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Disciplina |
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Soggetti |
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Job analysis |
Work measurement |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Front Cover; The Handbook of Work Analysis; Copyright Page; Contents; Series Foreword: Edwin A. Fleishman and Jeanette N.cleveland; Acknowledgments; Editors; Associate Editors; Contributors; I. Work Aalysis Mthods: Mark A. Wilson and Erich C.Dierdorff, Section Editors; 1. Methodological Decisions in Work Analysis: A Thory of Effective Work Analysis in Organizations: Mark A. Wilson; Work Analysis Process Decisions; A Theory of Work Analysis in Organizations: An Open System; Conclusions; References; 2. Selling Work Analysis: Thomas Powell, Mark Woodhouse, and Nigel Guenole |
The Value of Job Analysis to OrganizationsCase Study; Summary; References; 3. Identifying Appropriate Sources of Work Information: Emily Johnson Guder; Job Incumbents; Supervisors; Trained Work Analysts; Other Organizational Members; Customers; Conclusions; References; 4. Work Analysis Questionnaires and App Interviews: David M. Van De Voort and Thomas J. Whelan; What Is a Job?; Work Analysis Interviews and Questionnaires Defined; The Role of Work Analysis Questionnaires and Interviews in Regulatory Compliance; Access, Acceptance, and Accuracy of Work Analysis Questionnaires and |
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Interviews |
Conducting the Work Analysis InterviewWork Analysis Interview Checklist; What Kind of Information Is Needed From a Work Analysis Interview?; Job Description Template as a Work Analysis Questionnaire; Designing and Administering Work Analysis Questionnaires; Work Analysis Interview Checklist; Computer Databases and Work Analysis Data; The Competency Paradox; Appendix: A Compendium of Battle-Tested Quantitative Requirements Scales; References; 5. Using Secondary Sources of Work Information to Improve Work Analysis: Erich C. Dierdorff; What Exactly Is a Secondary Source? |
Where Do Secondary Sources Fit Into the Work Analysis Process?Examples of Secondary Sources; How to Use Secondary Sources; Parting Thoughts; References; 6. Analyzing Work Analysis Data: Robert J. Harvey; Questions You Wish Had Been Addressed Earlier; Getting the Data Ready; Analytic Strategies and Methods; References; 7. Evaluating Work Analysis in The 21st Century: Edward L. Levine and Juan I. Sanchez; Validity of Work Analysis; Suggestions for Future Investigations of the Validity of Work Analysis; References |
8. Documenting Work Analysis Projects: A Review of Strategy and Legal Defensibility for Personnel Selection: Arthur Gutman and Eric M. DunleavyA Case Study Demonstrating Work Analysis Documentationin Support of a Personnel Selection Procedure; Documenting Various Phases of a Work Analysis Project; Overview of EEO Laws for Which Work Analysis May Play a Role; Legal/Professional Authorities and Work Analysis; Recent Legal Defensibility Trends; Concluding Thoughts; Further Reading; References; II. Work Analysis Systems: Shanan Gwaltney Gibson, Section Editor |
9. Important Contributors to Job Analysis in The 20th and Early 21st Centuries: Mark A. Wilson and Joseph W. Cunningham |
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Sommario/riassunto |
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This new handbook, with contributions from experts around the world, is the most comprehensive treatise on work design and job analysis practice and research in over 20 years. The handbook, dedicated to Sidney Gael, is the next generation of Gael's successful Job Analysis Handbook for Business, Industry and Government, published by Wiley in 1988. It consists of four parts: Methods, Systems, Applications and Research/Innovations. Finally, a tightly integrated, user-friendly handbook, of interest to students, practitioners and researchers in the field of Industrial Organizational Psy |
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2. |
Record Nr. |
UNINA9910962183603321 |
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Autore |
Kovtun E. F (Evgeniĭ Fedorovich) |
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Titolo |
Russian avant-garde / / [Evgueny Kovtun] |
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Pubbl/distr/stampa |
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New York, : Parkstone International, [2012?] |
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ISBN |
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9781283952156 |
1283952157 |
9781780427935 |
178042793X |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (200 pages) |
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Collana |
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Art of century collection |
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Classificazione |
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Disciplina |
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Soggetti |
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Art, Russian - 20th century |
Art, Soviet |
Avant-garde (Aesthetics) - Russia |
Avant-garde (Aesthetics) - Soviet Union |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Art in the First Years of the Revolution; 'Picasso, this is not the new art.'; The Spiritual Universe; The ROSTA Windows (Russian Telegraph Agency) of Petrograd; The Sevodnia Artel; The VKhUTEMAS [Higher Art and Technical Studios]; Wassily Kandinsky; The Struggle Against Gravity; The 'Renaissance' of Vitebsk; Schools and Movements; The Institute of Artistic Culture; The Additional Element; Elena Guro; The Signal for a Return to Nature; The End of the INKhUK; Malevich's Second Peasant Cycle; The Rebellion Against God; The National 'Tone' of Colour |
Filonov and the Masters of Analytical Art The Kalevala; Artistic Groups in the 1920's; Sculpture, Porcelain and Textile Manufacture; The Avant-Garde Stopped in its Tracks; MAJOR ARTISTS; The Association of Artists of Revolutionary Russia (AKhRR), (renamed in 1928 The Association of Artists of the Revolution - AKhRR), 1922-1932, Moscow - Leningrad; Circle of Artists, 1925-1932, Leningrad; The Masters of Analytical Art (MAI), 1925-1932, Leningrad; The Makovets, 1921-1925, Moscow; The World of Art, 1898-1904, 1910-1924, St Petersburg - Moscow; Monolith, 1918-1922, Moscow |
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The New Society of Painters (NOZh), 1921-1914, Moscow Oktiabr (including the group Molodoi Oktiabr), 1930-1932, Moscow - Leningrad; Painters of Moscow, 1924-1926, Moscow; The Four Arts Society of Artists, 1925-1932, Leningrad - Moscow; The Society of Moscow Artists (OMKh), 1927-1932, Moscow; The Union of Youth, 1910-1914, 1917-1919, St Petersburg - Petrograd; Nathan Altman (Vinnitsa, 1889 - Leningrad, 1970); Yuri Annenkov (Petropavlovsk-Kamchatski, 1889 - Paris, 1974); Sergei Bulakovski (Odessa, 1880 - Kratovo, 1937); Leon Bakst (Grodno, 1866 - Paris, 1924) |
David Burliuk (Hamlet of Semirotovchtchina (now region of Kharkov), 1882 - Long Island, New York, 1967)Marc Chagall (Vitebsk, 1887 - Saint-Paul-de-Vence, 1985); Alexander Shevchenko (Kharkov, 1883 - Moscow, 1948); Yuri Schukin (Voronej, 1904 - Moscow, 1935); Maria Ender (St Petersburg, 1897 - Leningrad, 1942); Vera Ermolaeva (Petrovsk, 1893 - district of Karaganda, victim of Stalinist repression, 1938); Evguenija Evenbach (Krementchug, 1889 - Leningrad, 1981); Alexandra Exter (Belostok, 1882 - Fontenay-aux-Roses, 1949); Robert Rafailovich Falk (Moscow, 1886 - Moscow, 1958) |
Pavel Filonov (Moscow, 1883 - Leningrad, 1941)Natalia Goncharova (Negayevo, 1881 - Paris, 1962); Elena Guro (St Petersburg, 1877 - Uusikirkko, 1913); Lev Yudin (Vitebsk, 1903 - Leningrad, died on the front near Leningrad, 1941); Pyotr Kontchalovsky (Slaviansk, 1876 - Moscow, 1956); Wassily Kandinsky (Moscow, 1866 - Neuilly-sur-Seine, 1944); Valentin Kurdov (Mikhailovskoie, 1905 - Leningrad, 1989); Mikhail Larionov (Tiraspol, 1881 - Fontenay-aux-Roses, 1964); Vladimir Lebedev (St Petersburg, 1891 - Leningrad, 1967); Aristarkh Lentulov (Vorona, 1882 - Moscow, 1943) |
Lazar Lissitzky, known as El-Lissitzky (Potchinok, 1890 - Moscow, 1941) |
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Sommario/riassunto |
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The Russian Avant-Garde was born at the turn of the twentieth century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-Garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level.Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin |
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