Ryosai Kenbo : the educational ideal of 'good wife, wise mother' in modern Japan / / by Koyama Shizuko ; translated by Stephen Filler

• Record Nr.: UNINA9910975227603321
• Autore: Koyama Shizuko <1953->
• Pubbl/distr/stampa: Boston, : Brill, 2013
• ISBN: 1-283-85473-2; 90-04-24435-2
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (xviii, 216 pages) : illustrations
• Collana: The intimate and the public in Asian and global perspectives ; ; v. 1
• Disciplina: 305.40952
• Soggetti: Wives - Japan - Attitudes; Mothers - Japan - Attitudes; Women - Education - Japan - History; Women - Japan - Conduct of life
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Preliminary Material / Koyama Shizuko -- Introduction: Approach to the Issues / Koyama Shizuko -- The Formation of Ryōsai Kenbo Thought / Koyama Shizuko -- Ryōsai Kenbo Thought and the Public Education System / Koyama Shizuko -- The Causes of Change / Koyama Shizuko -- The Reconfiguration of Ryōsai Kenbo Thought / Koyama Shizuko -- The Evolution of the Concept of Ryōsai Kenbo in Morality Textbooks / Koyama Shizuko -- Epilogue: The Meaning of Ryōsai Kenbo Thought / Koyama Shizuko -- Appendix 1: List of Morality Textbooks (Shūshin Kyōkasho) Consulted for this Study / Koyama Shizuko -- Bibliography / Koyama Shizuko -- Index of Persons / Koyama Shizuko -- Index of Subjects / Koyama Shizuko.
• Sommario/riassunto: Winner of the 2013 Choice Outstanding Academic Title Award The famous ryōsai kenbo , or ‘good wife, wise mother’ role of women was not, after all, a traditional Confucian view but a modern construct. In fact, its first appearance in Japan, as Koyama Shizuko points out, was in the latter half of the nineteenth century – due principally to the influence of European ideas about women. Girls at the time were proud to fulfill their new role of contributing to not just the family but to the formation of the state. Koyama’s discovery has transformed how we see ; modern women’s history in Japan and the similar discoveries that have followed regarding China's ‘wise wife, good mother’ and Korea's ‘wise mother, good wife.’ Previous studies have interpreted ryōsai kenbo thought, which was widely recognized in nationally-sanctioned educational standards, as a ‘backward’, ‘feudal’ or even ‘reactionary’ view of women, and therefore peculiar to girls’ and womens’ education in prewar Japan. As a result, ryōsai kenbo thought was seen to be completely distinct from postwar views of women in Japan and Western Europe that have also emphasized the role of women as wives and mothers. Here, however, ryōsai kenbo thought is examined as a mode of thought inseparable from such issues as the formation of the modern citizen-state and the formation of the ‘modern family.’ Instead of reducing it to a specific, pre-World War II Japanese ideal of womanhood, Koyama argues that ryōsai kenbo thought is, in fact, a modern mode of thought related to, and having much in common with, views of the qualities desirable in a woman both in postwar Japanese society, as well as in modern Western nations and beyond.

Forbidden music : the jewish composers banned by the nazis / / Michael Haas

• Record Nr.: UNINA9910961477303321
• Autore: Haas Michael <1954->
• Pubbl/distr/stampa: New Haven, CT, : Yale University Press, c2013
• ISBN: 1-299-48358-5; 0-300-15431-3
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (371 p.)
• Disciplina: 780.89924
• Soggetti: Jewish composers; Composers - Germany
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front matter -- Contents -- Preface -- Introduction -- CHAPTER 1. German and Jewish -- CHAPTER 2. Wagner and German Jewish Composers in the Nineteenth Century -- CHAPTER 3. An Age of ; Liberalism, Brahms and the Chronicler Hanslick -- CHAPTER 4.Mahler and His Chronicler Julius Korngold -- CHAPTER 5. The Jugendstil School of Schoenberg, Schreker, Zemlinsky and Weigl -- CHAPTER 6. A Musical Migration -- CHAPTER 7. Hey! We're Alive! -- CHAPTER 8. A Question of Musical Potency The Anti-Romantics -- CHAPTER 9 .The Resolute Romantics -- CHAPTER 10. Between Hell and Purgatory -- CHAPTER 11. Exile and Worse -- CHAPTER 12. Restitution -- Epilogue -- Notes -- Bibliography -- Index
• Sommario/riassunto: With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.