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1. |
Record Nr. |
UNINA990000976320403321 |
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Autore |
Cohn, Harvey |
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Titolo |
Conformal Mapping on Riemann Surfaces / Harvey Cohn |
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Pubbl/distr/stampa |
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New York [etc.] : McGraw-Hill, 1967 |
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Disciplina |
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Collocazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISOBSOBE00021581 |
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Autore |
Leech, Geoffrey N. |
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Titolo |
A Linguistic Guide to English Poetry / Geoffrey N. Leech |
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Descrizione fisica |
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Collana |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910961076503321 |
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Autore |
Liu S |
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Titolo |
Performing Hybridity in Colonial-Modern China / / by S. Liu |
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Pubbl/distr/stampa |
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New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2013 |
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ISBN |
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9781349455041 |
1349455040 |
9781137306111 |
1137306114 |
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Edizione |
[1st ed. 2013.] |
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Descrizione fisica |
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1 online resource (260 p.) |
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Collana |
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Palgrave Studies in Theatre and Performance History, , 2947-5775 |
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Disciplina |
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Soggetti |
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Ethnology - Asia |
Culture |
Arts |
Performing arts |
Theater |
Theater - History |
Asian Culture |
Theatre and Performance Arts |
Theatre History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Title; Copyright; Dedication; Contents; List of Illustrations ; Acknowledgments ; Note on Translation and Names ; Introduction: Modernity, Interculturalism, and Hybridity ; 1. Emergence of a National Theatrical Discourse ; 2. Hybrid Sources: Western, Japanese, and Chinese ; 3. Hybridization in Shanghai |
4. Literary Hybridity: Scripts and Scenarios 5. Translative Hybridity: Acculturation and Foreignization ; 6. Performance Hybridity: Searching for Conventions ; Epilogue ; Notes ; Bibliography ; Index |
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Sommario/riassunto |
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In Shanghai in the early twentieth century, a hybrid theatrical form, |
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wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre. |
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