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1. |
Record Nr. |
UNINA9910463066903321 |
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Titolo |
Women's voices and feminism in Polish cultural memory [[electronic resource] /] / editors, Urszula Chowaniec and Ursula Phillips |
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Pubbl/distr/stampa |
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Newcastle upon Tyne, UK, : Cambridge Scholars Publishing, 2012 |
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ISBN |
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Descrizione fisica |
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1 online resource (263 p.) |
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Altri autori (Persone) |
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ChowaniecUrszula |
PhillipsUrsula |
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Disciplina |
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Soggetti |
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Feminism - Poland - History |
Feminism and literature - Poland |
Feminism and motion pictures - Poland |
Collective memory - Poland |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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TABLE OF CONTENTS; PREFACE; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; PART III; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; EDITORS AND CONTRIBUTORS; INDEX |
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Sommario/riassunto |
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Every time a so-called "woman's voice" appears in the media in connection with any sphere of creative activity, it finds itself confronted by the almost formulaic expression "feminism today," instantaneously suggesting that feminism is, in fact, a matter of the past, and that if we want to return to this phenomenon, then we need to explain ourselves. Women's Voices and Feminism in Polish Cultural Memory seeks to elaborate the problem of generalization, expressed by such formulas as "feminism ... |
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2. |
Record Nr. |
UNINA9910960453303321 |
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Autore |
Fox-Amato Matthew |
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Titolo |
Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America |
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Pubbl/distr/stampa |
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Oxford University Press, 2019 |
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New York, NY : , : Oxford University Press, , [2019] |
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©2019 |
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ISBN |
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9780190663940 |
0-19-066394-4 |
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Descrizione fisica |
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1 online resource (xii, 343 p.) : ill |
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Disciplina |
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Soggetti |
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Photography |
Portrait photography |
Enslaved persons |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Policing personhood -- Enduring images -- Realizing abolition -- Domesticating freedom -- The photographic legacy of American slavery. |
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Sommario/riassunto |
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"Within a few years of the invention of the first commercially successful photography process in 1839, American slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass also came to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype saloons of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. This book explores how photography altered, and was in turn shaped by, conflicts over bondage. Drawing upon an original source base that includes hundreds |
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of unpublished and little-studied photographs of slaves, ex-slaves, and abolitionists as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, slaves to shape their social ties, abolitionists to strengthen their movement, and soldiers to imagine and pictorially enact an interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool. While this project sheds new light on conflicts over late American slavery, it also reveals a key moment in the much broader historical relationship between modern visual culture and racialized forms of power and resistance" -- |
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3. |
Record Nr. |
UNINA9910961567303321 |
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Autore |
Bac J. Martin |
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Titolo |
Perfect will theology : divine agency in reformed scholasticism as against Suarez, Episcopius, Descartes, and Spinoza / / by J. Martin Bac |
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Pubbl/distr/stampa |
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Leiden ; ; Boston, : Brill, 2010 |
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ISBN |
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1-282-78681-4 |
9786612786815 |
90-04-19344-8 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (579 p.) |
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Collana |
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Brill's series in church history ; ; v. 42 |
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Disciplina |
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Soggetti |
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Providence and government of God - Christianity |
God (Christianity) - Will |
Scholasticism |
Reformed Church - Doctrines - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [531]-553) and index. |
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Nota di contenuto |
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Preliminary Material / J.M. Bac -- Chapter One. Introduction / J.M. Bac -- Chapter Two. Perfect Will Theology: A Basic Outline / J.M. Bac -- Chapter Three. The Jesuit Counter-Reformation: Conditionalizing Divine Knowledge / J.M. Bac -- Chapter Four. The Remonstrant Debate: |
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Conditionalizing Divine Will / J.M. Bac -- Chapter Five. The Cartesian Controversy: Magnifying Divine Will / J.M. Bac -- Chapter Six. The Spinozist Shift: Magnifying Divine Intellect / J.M. Bac -- Chapter Seven. Modal Logic And Possible Worlds / J.M. Bac -- Chapter Eight. Consistency Of Seventeenth-Century Thought Modal Analysis And Evaluation / J.M. Bac -- Chapter Nine. Perfect Will Theology: A Modal Argument / J.M. Bac -- Chapter Ten. Perfect Will Theology And Human Freedom / J.M. Bac -- Chapter Eleven. Perfect Will Theology And The Problem Of Evil / J.M. Bac -- Chapter Twelve. Epilogue / J.M. Bac -- Appendix: List Of Logical Symbols / J.M. Bac -- Bibliography / J.M. Bac -- Index / J.M. Bac. |
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Sommario/riassunto |
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This book revisits four early-modern debates of Reformed theology concerning the will of God. Reformed scholasticism advocated a particular relationship between divine knowledge, will, and power, which was altered by Jesuits, Remonstrants, Descartes, and Spinoza. In all these debates modal categories like contingency and necessity play a prominent part. Therefore, these positions are evaluated with the help of modern modal logic including possible world semantics. The final part of this study presents a systematic defense of the Reformed position, which has been charged of theological determinism and of making God the author of sin. In modern terms, therefore, the relation of divine and human freedom and the problem of evil are discussed. |
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