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Record Nr. |
UNINA9910960173803321 |
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Titolo |
The string quartets of Beethoven / / edited by William Kinderman |
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Pubbl/distr/stampa |
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Urbana, : University of Illinois Press, c2006 |
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ISBN |
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1-283-58342-9 |
9786613895875 |
0-252-09162-0 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (360 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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String quartets - Analysis, appreciation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 331-343) and index. |
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Nota di contenuto |
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Transformational processes in Beethoven's op. 18 quartets / William Kinderman -- Metrical dissonance and metrical revision in Beethoven's string quartets / Harald Krebs -- Peak experience : high register and structure in the "Razumovsky" quartets, op. 59 / Malcolm Miller -- Beethoven's "Harp" quartet : the sketches in context / Lewis Lockwood -- "Haydns Geist aus Beethovens Händen"? : fantasy and farewell in the quartet in E [flat], op. 74 / Nicholas Marston -- Aspects of the genesis of Beethoven's string quartet in F minor, op. 95 / Seow-Chin Ong -- "So träumte mir, ich reiste ... nach Indien" : temporality and mythology in op. 127/I / Birgit Lodes -- Plenitude as fulfillment : the third movement of Beethoven's string quartet in B [flat], op. 130 / Robert Hatten -- The genesis of the countersubjects for the Grosse Fuge / William E. Caplin -- Opus 131 and the uncanny / Joseph Kerman -- Beethoven's last quartets : threshold to a fourth creative period? / William Kinderman -- Appendix : chronology and sources of the string quartets. |
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Sommario/riassunto |
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"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most |
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