1.

Record Nr.

UNINA9910959903103321

Autore

Burack Charles Michael

Titolo

D. H. Lawrence's Language of Sacred Experience : The Transfiguration of the Reader / / by C. Burack

Pubbl/distr/stampa

New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2005

ISBN

9786611363710

9781281363718

1281363715

9781403978240

1403978247

Edizione

[1st ed. 2005.]

Descrizione fisica

1 online resource (VIII, 206 p.)

Disciplina

823/.912

Soggetti

European literature

Literature, Modern - 19th century

Literature, Modern - 20th century

Fiction

European Literature

Nineteenth-Century Literature

Twentieth-Century Literature

Fiction Literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. [186]-194) and index.

Nota di contenuto

Cover -- Contents -- Acknowledgments -- Introduction -- Chapter One The Destruction Phase of Lady Chatterley's Lover -- Chapter Two The Revitalization Phase of Lady Chatterley's Lover -- Chapter Three Transformative Uses of Kabbalistic Concepts and Terms in The Rainbow -- Chapter Four Mechanistic and Yogic Discourses in Women in Love -- Chapter Five The Implosion of the Transformative Pattern in The Plumed Serpent -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

Sommario/riassunto

This book demonstrates how D.H. Lawrence's prophetic ambitions



impelled him to create novels that would radically transform the consciousness of his readers. Charles Burack argues that Lawrence's major novels, beginning with The Rainbow , are structured as religious initiation rites that attempt to break down the reader's normative mindset and to evoke new, numinous experiences of self and world. Through careful analysis of narrative structure, literary technique, and sacred discourses, Burack shows that Lawrence tries to initiate the reader into his own version of religious vitalism. Unlike most initiations that conclude with powerful affirmations, Lawrence's novels generally end with an attempt to subvert the formation of new religious dogmas and to encourage sacred-erotic exploration.