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Record Nr. |
UNINA9910959258503321 |
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Autore |
Perez Oyarzun Fernando <1950-> |
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Titolo |
Chilean modern architecture since 1950 / / Fernando Perez Oyarzun, Rodrigo Perez de Arce, Horacio Torrent ; edited by Malcolm Quantrill ; with a foreword by Bruce Webb |
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Pubbl/distr/stampa |
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College Station, : Texas A&M University Press, c2010 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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xiii, 174 p. : ill., plans |
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Collana |
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Studies in architecture and culture ; ; no. 8 |
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Altri autori (Persone) |
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Perez de ArceRodrigo |
TorrentHoracio |
QuantrillMalcolm <1931-2009.> |
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Disciplina |
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Soggetti |
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Architecture, Domestic - Chile - History - 20th century |
Architecture, Domestic - Chile - History - 21st century |
Architecture - Environmental aspects - Chile |
Architecture - Conservation and restoration - Chile |
Vernacular architecture - Chile - Valparaiso |
Valparaíso (Chile) Buildings, structures, etc |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The new architecture of Chile: bandaging the wounded site / Bruce Webb -- The cultural and professional background of modern architecture in Chile / Fernando Perez Oyarzun, Rodrigo Perez de Arce, and Horacio Torrent -- Theory and practice of domestic space between 1950 and 2000 / Fernando Perez Oyarzun -- Material circumstances: the project and its construction / Rodrigo Perez de Arce -- Abstraction and tectonics in Chilean architecture since 1950 / Horacio Torrent. |
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Sommario/riassunto |
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Chilean architecture--along with that of Sao Paolo and Mexico City--sets a benchmark for the intersection of modernism with vernacular influences in Latin America. Culture, landscape, and the geology of this earthquake-prone region have all served as important filters for the practice of post-1950s design in Chile. This volume introduces the modern architecture of Chile to readers in the United States. Looking primarily at domestic architecture as a lens for studying the larger movement, Fernando Perez Oyarzun considers the relationship between |
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theory and practice in Chile. As he shows in his chapter, during the early 1950s the School of Valparaiso offered the possibility of developing experimental projects accompanied by theoretical statements. There, visual artists considered poetry the starting point of modern architecture and contributed their radically modern views to the design process of the project. Next, Rodrigo Perez de Arce examines the material context of architecture in Chile: the availability of materials and technologies, the frequency of violent earthquakes and related seismic activity, and the nation's craft-based, labor-intensive building practices. He applies these considerations to a series of case studies to demonstrate how they interact with cultural, historical, economic, and even political influences. In the book's final chapter, Horacio Torrent reviews the interplay between the architectonic culture and modern shapes that came into sharp focus in the 1950s in Chile. In another series of case studies, he highlights the formation of a system of concepts, thought processes, instruments, and values that have given Chilean architecture a certain singularity during the last fifty years. |
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