1.

Record Nr.

UNINA9910958222703321

Autore

Rankine Patrice D

Titolo

Ulysses in Black : Ralph Ellison, classicism, and African American literature / / Patrice D. Rankine

Pubbl/distr/stampa

Madison, Wis., : University of Wisconsin Press, c2006

ISBN

9786612270321

9781282270329

128227032X

9780299220037

0299220036

Edizione

[1st ed.]

Descrizione fisica

254 p

Collana

Wisconsin studies in classics

Disciplina

818/.5409

Soggetti

American literature - African American authors - History and criticism

American literature - African American authors - Greek influences

American literature - African American authors - Classical influences

Mythology, Classical, in literature

Classicism in literature

Comparative literature - Modern and classical

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. 219-236) and index.

Nota di contenuto

Intro -- Contents -- Prologue: Preparing for the Journey of Ulysses in Black -- 1. Classica Africana: The Nascent Study of Black Classicism -- Journey 1: From Eurocentrism to Black Classicism -- 2. Birth of a Hero: The Poetics and Politics of Ulysses in Classical Literature -- 3. Ulysses Lost on Racial Frontiers: The Limits of Classicism in the Modern World -- 4. The New Negro Ulysses: Classicism in African American Literature as a Return from the Black (W)hole -- Journey 2: Ralph Ellison's Black American Ulysses -- 5. "Ulysses alone in Polly-what's-his-name's cave": Ralph Ellison and the Uses of Myth -- 6. Ulysses in Black: Lynching, Dismemberment, Dionysiac Rites -- 7. Ulysses (Re)Journeying Home: Bridging the Divide between Black Studies and the Classics -- Notes -- References Cited -- Index.

Sommario/riassunto

In this groundbreaking work, Patrice D. Rankine asserts that the



classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca.