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Record Nr. |
UNINA9910483113303321 |
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Titolo |
Field-Coupled Nanocomputing : Paradigms, Progress, and Perspectives / / edited by Neal G. Anderson, Sanjukta Bhanja |
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Pubbl/distr/stampa |
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Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2014 |
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ISBN |
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Edizione |
[1st ed. 2014.] |
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Descrizione fisica |
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1 online resource (VIII, 393 p. 233 illus.) |
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Collana |
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Theoretical Computer Science and General Issues, , 2512-2029 ; ; 8280 |
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Disciplina |
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Soggetti |
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Computer science |
Computers |
Computer simulation |
Theory of Computation |
Computer Hardware |
Computer Modelling |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di contenuto |
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Field-Coupled Nanocomputing Paradigms -- The Development of Quantum-Dot Cellular Automata -- Nanomagnet Logic (NML -- Silicon Atomic Quantum Dots Enable Beyond-CMOS Electronics -- Circuits and Architectures -- A Clocking Strategy for Scalable and Fault-Tolerant QDCA Signal Distribution in Combinational and Sequential Devices -- Electric Clock for NanoMagnet Logic Circuits -- Majority Logic Synthesis Based on Nauty Algorithm -- Reversible Logic Based Design and Test of Field Coupled Nanocomputing Circuits -- STT-Based Non-Volatile Logic-in-Memory Framework -- Security Issues in QCA Circuit Design - Power Analysis Attacks -- NanoMagnet Logic: An Architectural Level Overview -- Modeling and Simulation -- Modelling Techniques for Simulating Large QCA Circuits -- ToPoliNano: NanoMagnet Logic Circuits Design and Simulation -- Understanding a Bisferrocene Molecular QCA Wire -- Irreversibility and Dissipation -- Reversible and Adiabatic Computing: Energy-Efficiency Maximized -- Modular Dissipation Analysis for QCA -- The Road Ahead: Opportunities and Challenges -- Opportunities, Challenges and the Road Ahead for Field- |
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Coupled Nanocomputing: A Panel Discussion. |
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Sommario/riassunto |
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Field-coupled nanocomputing (FCN) paradigms offer fundamentally new approaches to digital information processing that do not utilize transistors or require charge transport. Information transfer and computation are achieved in FCN via local field interactions between nanoscale building blocks that are organized in patterned arrays. Several FCN paradigms are currently under active investigation, including quantum-dot cellular automata (QCA), molecular quantum cellular automata (MQCA), nanomagnetic logic (NML), and atomic quantum cellular automata (AQCA). Each of these paradigms has a number of unique features that make it attractive as a candidate for post-CMOS nanocomputing, and each faces critical challenges to realization. This State-of-the-Art-Survey provides a snapshot of the current developments and novel research directions in the area of FCN. The book is divided into five sections. The first part, Field-Coupled Nanocomputing Paradigms, provides valuable background information and perspectives on the QDCA, MQCA, NML, and AQCA paradigms and their evolution. The second section, Circuits and Architectures, addresses a wide variety of current research on FCN clocking strategies, logic synthesis, circuit design and test, logic-in-memory, hardware security, and architecture. The third section, Modeling and Simulation, considers the theoretical modeling and computer simulation of large FCN circuits, as well as the use of simulations for gleaning physical insight into elementary FCN building blocks. The fourth section, Irreversibility and Dissipation, considers the dissipative consequences of irreversible information loss in FCN circuits, their quantification, and their connection to circuit structure. The fifth section, The Road Ahead: Opportunities and Challenges, includes an edited transcript of the panel discussion that concluded the 2013 Workshop on Field-Coupled Nanocomputing. |
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2. |
Record Nr. |
UNINA9910957888203321 |
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Titolo |
Jews and the making of modern German theatre / / edited by Jeanette R. Malkin and Freddie Rokem |
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Pubbl/distr/stampa |
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Iowa City, : University of Iowa Press, 2010 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (322 p.) |
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Collana |
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Studies in theatre history and culture |
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Altri autori (Persone) |
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MalkinJeanette R |
RokemFreddie <1945-> |
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Disciplina |
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Soggetti |
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Theater - Germany - History - 19th century |
Theater - Germany - History - 20th century |
Jews in the performing arts - Germany - History |
Jews - Germany - Intellectual life - 19th century |
Jews - Germany - Intellectual life - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: break a leg! / Jeanette R. Malkin -- Reflections on theatricality, identity and the modern Jewish experience / Steven E. Aschheim -- How "Jewish" was theatre in imperial Berlin? / Peter Jelavich --- Stagestruck: Jewish attitudes to the theatre in Wilhelmine Germany / Anat Feinberg -- Yiddish theatre and its impact on the German and Austrian stage / Delphine Bechtel -- German and Jewish "theatromania": Theodor Lessing's Theatre-Seele between Goethe and Kafka / Bernhard Greiner -- Arnold Zweig and the critics: reconsidering the Jewish "contribution" to German theatre / Peter W. Marx -- Jewish cabaret artists before 1933 / Hans-Peter Bayerdörfer -- Transforming in public: Jewish actors on the German expressionist stage / Jeanette R. Malkin -- The shaping of the Ostjude: Alexander Granach and Shimon Finkel in Berlin / Shelly Zer-Zion -- Max Reinhardt between Yiddish theatre and the Salzburg Festival / Lisa Silverman -- Theatre as festive play: Max Reinhardt's productions of The merchant of Venice / Erika Fischer-Lichte -- The unknown Leopold Jessner: German theatre and Jewish identity / Anat Feinberg -- Epilogue. |
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Sommario/riassunto |
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While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and i |
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