| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910461122803321 |
|
|
Autore |
Rogoyska Jane |
|
|
Titolo |
Gustav Klimt / / Jane Rogoyska and Patrick Bade |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, [New York] : , : Parkstone International, , [2012] |
|
©[2012] |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-283-95918-6 |
1-78042-730-1 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (200 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Artists - Austria |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di contenuto |
|
Sommaire; La Sécession viennoise; La Vie; Les Chefs-d'oeuvre; LA FABLE; L'IDYLLE; LE THÉÂTRE DE TAORMINA; NU ALLONGÉ; SALLE DE L'ANCIEN BURGTHEATER; PORTRAIT DE JOSEPH PEMBAUER; L'ART DE LA GRÈCE ANTIQUE I; L'AMOUR; MUSIQUE I; ALLÉGORIE DE LA TRAGÉDIE; SANG DE POISSON; LA MÉDECINE; PALLAS ATHÉNA; PORTRAIT DE SONJA KNIPS; AFFICHE POUR LA PREMIÈRE EXPOSITION DE LA SÉCESSION DE VIENNE; NUDA VERITAS; NUDA VERITAS (DÉTAIL); SCHUBERT AU PIANO; COUPLE ENLACÉ; ÎLE SUR L'ATTERSEE; POISSONS ROUGES; JUDITH I; PORTRAIT DE GERTHA FELSOVANYI; LA FRISE BEETHOVEN : L'ASPIRATION AU BONHEUR (DÉTAIL) |
PORTRAIT D'EMILIE FLÖGEFORÊT DE HÊTRES I; ESPOIR I; SERPENTS D'EAU I; SERPENTS D'EAU II; LES TROIS ÂGES DE LA FEMME; PORTRAIT DE MARGARET STONBOROUGH-WITTGENSTEIN; CARTON POUR LA FRISE STOCLET (DÉTAIL); JARDIN AUX TOURNESOLS; PORTRAIT DE FRITZA RIEDLER; LA MÉDECINE; HYGIEIA; PORTRAIT D'ADÈLE BLOCH-BAUER I; ESPOIR II; LE BAISER; LE BAISER (DÉTAIL); DANAÉ; LE CHÂTEAU KAMMER SUR L'ATTERSEE I; DAME AU CHAPEAU ET AU BOA DE PLUMES; JUDITH II; LE CHAPEAU DE PLUMES NOIRES; LA VIE ET LA MORT; JARDIN AU CRUCIFIX; FERME DANS LE NORD DE L'AUTRICHE; PORTRAIT D'ADÈLE BLOCH-BAUER II |
RIA MUNK SUR SON LIT DE MORTPORTRAIT DE MÄDA PRIMAVESI; |
|
|
|
|
|
|
|
|
|
|
|
|
|
PORTRAIT D'EUGÉNIA PRIMAVESI; LA VIERGE; MALCESINE SUR LE LAC DE GARDE; PORTRAIT D'ELISABETH BACHOFEN-ECHT; MAISONS À UNTERACH SUR L'ATTERSEE; PORTRAIT DE FRIEDERIKE MARIA BEER; SENTIER DE JARDIN ET POULES; L'ÉGLISE D'UNTERACH SUR L'ATTERSEE; LES AMIES; LE BÉBÉ; ADAM ET ÈVE (INACHEVÉ); LA DANSEUSE; LA MARIÉE (INACHEVÉ); Biographie; Liste des illustrations |
|
|
|
|
|
|
Sommario/riassunto |
|
Gustav Klimt (1862-1918) peintre majeur de la fin du XIXe siècle, fonda la Sécession viennoise. Ce mouvement exprima toute son opposition à l'art officiel, marqué par l'immobilisme et le refus d'une certaine vision du Modernisme. L'inspiration de Klimt s'inscrit dans la déliquescence lente mais inexorable de l'empire austro-hongrois, et la multitude des cultures qui la composent. Artiste de l'érotisme et de la sensualité, Klimt est un maître de l'Expressionnisme avec Kokoschka et Schiele. Ce livre regroupe les plus belles peintures de Klimt accompagnées d'un texte qui met en évidence l'éclecti |
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910957770203321 |
|
|
Titolo |
Crisis and renewal in twentieth century banking : exploring history and archives of banking at times of political and social stress / / edited by Edwin Green, John Lampe, and Franjo Stiblar |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Routledge, , 2016 |
|
|
|
|
|
|
|
ISBN |
|
1-351-94747-8 |
1-138-25853-9 |
1-315-25891-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (302 pages) : illustrations |
|
|
|
|
|
|
Collana |
|
Studies in banking history |
|
|
|
|
|
|
Altri autori (Persone) |
|
GreenEdwin |
LampeJohn R |
StiblarFranjo |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Banks and banking - Europe - History |
Financial institutions - Europe - History |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
First published 2004 by Ashgate Publishing. |
Proceedings of the 12th annual conference of the European Association for Banking History held in Ljubljana, Slovenia in May 2001. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references at the end of each chapters and index. |
|
|
|
|
|
|
|
|
Nota di contenuto |
|
pt. I. War and revolution : Russian and foreign banks, 1917-30 -- pt. II. Depression and political turmoil in Central Europe -- pt. III. Banking in civil war and its aftermath -- pt. IV. Post-war reconstruction : the German and Far Eastern experience -- pt. V. Crisis and renewal in twentieth century banking : the Slovenian experience -- Part VI. Rupture and reconnections. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Crisis and Renewal in Twentieth Century Banking explores the behaviour of banks at times of war, revolution, civil war, social turmoil, and reconstruction. Analysing the history and archives of banks, it discovers examples of how banking is affected by political and social upheavals; how banks may influence the outcome of such events; how banking has recovered from periods of intense political and social stress; and how the archives of banks provide remarkable testimony to events in the wider world. By examining the setting of different banking markets in the last century, up to and including the transformation of Eastern and South Eastern Europe in the 1990s, this book marks a new direction for international discussion and research. Contributors include senior historians and archivists from Europe and the United States. Contributions include papers on Russia and foreign banks, 1917-30; depression and crisis in Central Europe in the 1930s; Civil War in Spain; post-war reconstruction in banking in Germany and the Far East; and crisis and renewal in South East Europe. The papers published in this collection were first presented at the twelfth Annual Conference of the European Association for Banking History, held in Ljubljana, Slovenia, in May 2001, and hosted by the Bank of Slovenia and the Nova Ljubljanska Banka. |
|
|
|
|
|
|
|
| |