1.

Record Nr.

UNISALENTO991003014299707536

Titolo

La riproduzione dei documenti d'archivio : fotografia chimica e digitale : atti del Seminario, Roma, 11 dicembre 1997

Pubbl/distr/stampa

[Roma] : Ministero per i beni e le attivita culturali, Ufficio centrale per i beni archivistici, 1999

ISBN

8871251547

Descrizione fisica

120 p. : ill. ; 24 cm.

Collana

Quaderni della Rassegna degli archivi di Stato ; 90

Disciplina

025.12

Soggetti

Archivi - Servizi

Documenti - Riproduzione fotografica

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Tit. sul dorso: La riproduzione dei documenti d'archivio



2.

Record Nr.

UNINA9910957643403321

Autore

Redner Gregg

Titolo

Deleuze and film music : building a methodological bridge between film theory and music / / by Gregg Redner

Pubbl/distr/stampa

Bristol [U.K.], : Intellect, 2011

ISBN

9786612896095

9781282896093

1282896091

9781841504377

1841504378

Edizione

[1st ed.]

Descrizione fisica

1 online resource (204 p.)

Disciplina

781.5

Soggetti

Motion picture music

Music - Philosophy and aesthetics

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. 177-186).

Nota di contenuto

Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References

Corpus of FilmsFilms Cited In Text

Sommario/riassunto

The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of



persistent difficulties in this new area of study, Deleuze and Film

3.

Record Nr.

UNINA9910956940003321

Autore

Roper L. H (Louis H.)

Titolo

The English empire in America, 1602-1658 : beyond Jamestown / / by L.H. Roper

Pubbl/distr/stampa

London, : Pickering & Chatto, 2009

ISBN

1-315-65270-6

1-317-31386-0

1-317-31387-9

1-282-12563-X

9786612125638

1-85196-594-7

Edizione

[1st ed.]

Descrizione fisica

1 online resource (x, 213 pages) : digital, PDF file(s)

Collana

Empires in perspective ; ; no. 7

Disciplina

975.502

Soggetti

Virginia History Colonial period, ca. 1600-1775

Virginia Politics and government To 1775

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 02 Oct 2015).

Nota di bibliografia

Include bibliographical references (p. 141-201).

Nota di contenuto

Acknowledgements; Introduction; 1. Deep Background; 2. Genesis; 3. Birth Pangs; 4. Fatal and Near-fatal Attractions; 5. An Empire of 'Smoak'; 6. Some Measure of Success; Notes; Works Cited; Index

Sommario/riassunto

This study situates the colonization of Virginia, the centrepiece of early English overseas settlement activity, in the social and political landscape of the early seventeenth century. Roper explores how the early development of the colony was viewed from both sides of the Atlantic, using the documentary record of key figures in the Virginia Company, as well as the colonizers themselves. He paints a vivid picture of a political culture characterized by patronage, the pursuit of personal agendas and fierce grappling for factional advantage, as 'Old World' political behaviour was successfully transplanted to the colony. At the same time however, he shows how local concerns and identity competed with the Stuart monarchy's attempts to centralize state



affairs on the other side of the Atlantic.    Roper rejects the prevailing view of the early colonisers, the Virginia Company and Crown ministers as bumbling incompetents whose mismanagement nearly caused the failure of the Jamestown project. Rather, he argues, they had a clear sense of purpose for the colony, and successfully adapted and crafted inherited political systems to a very new situation.