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1. |
Record Nr. |
UNISALENTO991003014299707536 |
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Titolo |
La riproduzione dei documenti d'archivio : fotografia chimica e digitale : atti del Seminario, Roma, 11 dicembre 1997 |
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Pubbl/distr/stampa |
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[Roma] : Ministero per i beni e le attivita culturali, Ufficio centrale per i beni archivistici, 1999 |
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ISBN |
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Descrizione fisica |
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Collana |
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Quaderni della Rassegna degli archivi di Stato ; 90 |
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Disciplina |
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Soggetti |
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Archivi - Servizi |
Documenti - Riproduzione fotografica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Tit. sul dorso: La riproduzione dei documenti d'archivio |
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2. |
Record Nr. |
UNINA9910957643403321 |
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Autore |
Redner Gregg |
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Titolo |
Deleuze and film music : building a methodological bridge between film theory and music / / by Gregg Redner |
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Pubbl/distr/stampa |
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Bristol [U.K.], : Intellect, 2011 |
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ISBN |
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9786612896095 |
9781282896093 |
1282896091 |
9781841504377 |
1841504378 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (204 p.) |
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Disciplina |
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Soggetti |
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Motion picture music |
Music - Philosophy and aesthetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 177-186). |
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Nota di contenuto |
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Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References |
Corpus of FilmsFilms Cited In Text |
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Sommario/riassunto |
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The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of |
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persistent difficulties in this new area of study, Deleuze and Film |
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3. |
Record Nr. |
UNINA9910956940003321 |
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Autore |
Roper L. H (Louis H.) |
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Titolo |
The English empire in America, 1602-1658 : beyond Jamestown / / by L.H. Roper |
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Pubbl/distr/stampa |
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London, : Pickering & Chatto, 2009 |
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ISBN |
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1-315-65270-6 |
1-317-31386-0 |
1-317-31387-9 |
1-282-12563-X |
9786612125638 |
1-85196-594-7 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (x, 213 pages) : digital, PDF file(s) |
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Collana |
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Empires in perspective ; ; no. 7 |
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Disciplina |
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Soggetti |
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Virginia History Colonial period, ca. 1600-1775 |
Virginia Politics and government To 1775 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 02 Oct 2015). |
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Nota di bibliografia |
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Include bibliographical references (p. 141-201). |
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Nota di contenuto |
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Acknowledgements; Introduction; 1. Deep Background; 2. Genesis; 3. Birth Pangs; 4. Fatal and Near-fatal Attractions; 5. An Empire of 'Smoak'; 6. Some Measure of Success; Notes; Works Cited; Index |
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Sommario/riassunto |
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This study situates the colonization of Virginia, the centrepiece of early English overseas settlement activity, in the social and political landscape of the early seventeenth century. Roper explores how the early development of the colony was viewed from both sides of the Atlantic, using the documentary record of key figures in the Virginia Company, as well as the colonizers themselves. He paints a vivid picture of a political culture characterized by patronage, the pursuit of personal agendas and fierce grappling for factional advantage, as 'Old World' political behaviour was successfully transplanted to the colony. At the same time however, he shows how local concerns and identity competed with the Stuart monarchy's attempts to centralize state |
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affairs on the other side of the Atlantic. Roper rejects the prevailing view of the early colonisers, the Virginia Company and Crown ministers as bumbling incompetents whose mismanagement nearly caused the failure of the Jamestown project. Rather, he argues, they had a clear sense of purpose for the colony, and successfully adapted and crafted inherited political systems to a very new situation. |
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