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1. |
Record Nr. |
UNISA996387225903316 |
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Titolo |
Verses, lately vvritten by Thomas Earle of Strafford [[electronic resource]] |
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Pubbl/distr/stampa |
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London, : [s.n.], printed, 1641 [i.e.1642] |
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Descrizione fisica |
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Altri autori (Persone) |
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StraffordThomas Wentworth, Earl of, <1593-1641.> |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Not in fact by Thomas Earle of Strafford. |
In this edition, the first line in the title ends in a colon and the imprint does not have a comma after "London". |
Verse: "Go, empty joyes,". |
Reproduction of original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910957402003321 |
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Autore |
Zanker G (Graham), <1947-> |
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Titolo |
Modes of viewing in Hellenistic poetry and art / / Graham Zanker |
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Pubbl/distr/stampa |
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Madison, : University of Wisconsin Press, c2004 |
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ISBN |
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9786612269462 |
9781282269460 |
1282269461 |
9780299194536 |
0299194531 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Wisconsin studies in classics |
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Disciplina |
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Soggetti |
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Greek poetry, Hellenistic - History and criticism |
Description (Rhetoric) - History - To 1500 |
Visual perception in literature |
Art and literature - Greece |
Point of view (Literature) |
Rhetoric, Ancient |
Art, Hellenistic |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references (p. 201-214) and index. |
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Nota di contenuto |
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Intro -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- 1. Aims, Approaches, and Samples -- 2. Full Presentation of the Image -- 3. Reader or Viewer Supplementation -- 4. Reader or Viewer Integration -- 5. An Eye for the New: Poetic Genres, Iconographical Traditions -- 6. Viewing Pleasure and Pain -- Notes -- Bibliography -- Index. |
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Sommario/riassunto |
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Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 B.C. to the Romans' defeat of Cleopatra in 30 B.C., Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences. Zanker's exciting new interpretations closely compare poetry and art for the light each sheds on the other. He finds, for example, an exuberant expansion of subject matter in the |
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Hellenistic periods in both literature and art, as styles and iconographic traditions reserved for grander concepts in earlier eras were applied to themes, motifs, and subjects that were emphatically less grand. |
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